Ein schüchternes Mädchen, von Gleichaltrigen ausgestoßen und von ihrer religiösen Mutter geschützt, entfesselt telekinetischen Terror in ihrer Kleinstadt, nachdem sie auf ihrem Abschlussball... Alles lesenEin schüchternes Mädchen, von Gleichaltrigen ausgestoßen und von ihrer religiösen Mutter geschützt, entfesselt telekinetischen Terror in ihrer Kleinstadt, nachdem sie auf ihrem Abschlussball zu weit gedrängt wurde.Ein schüchternes Mädchen, von Gleichaltrigen ausgestoßen und von ihrer religiösen Mutter geschützt, entfesselt telekinetischen Terror in ihrer Kleinstadt, nachdem sie auf ihrem Abschlussball zu weit gedrängt wurde.
- Auszeichnungen
- 6 Gewinne & 7 Nominierungen insgesamt
Eddie Max Huband
- Harry Trenant
- (as Eddie Huband)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBecause Chloë Grace Moretz was a minor, she was limited to eight hours of work per day. When she was unavailable, director Kimberly Peirce substituted; she would be off-screen. This was only done with scenes that Julianne Moore would talk to Carrie.
- PatzerWhen Tommy collapses on the stage, he is facing Carrie, but when Carrie tries to cradle Tommy, he is facing the backdrop.
- Zitate
Sue Snell: No! Carrie please don't hurt me.
Carrie White: Why not? I've been hurt my whole life.
- Alternative VersionenThe theatrical version ends with a brief scene of Sue in court for the White Investigation (an integral part of the Stephen King novel otherwise omitted from the film) and then laying a flower on Carrie White's grave, which cracks as she walks away. The alternate Blu-ray cut omits the courtroom scene and features a different edit of Sue placing the flower on Carrie's grave. This scene is followed with Sue in the delivery room giving birth, but instead of a baby, Carrie's arm emerges from between her legs and grabs her. There is then a quick cut to Sue's mother, who is holding and trying to awaken her hysterical, pregnant daughter from this nightmare.
- SoundtracksEnd of the Earth
Written by Ben Schneider
Performed by Lord Huron
Courtesy of IAMSOUND Records
By arrangement with Sony Music Licensing
Ausgewählte Rezension
This movie is hardly a scene-by-scene account of Brian De Palma brilliantly 'Carrie'. Yes, it impossible not to compare any remake to its original version, especially when the original is considered a classic. It is sad that with these days' shortage of originality, even a seemingly talented director such as Kimberly Peirce, succumbs to the commercial appeal of movie-making in the sole interest of monetary gain resulting in watered-down quality. Well, I'm not even sure if this movie will make its money back, given the mediocrity in all aspects of its quality. But then again, there are a lot of junks out there that make tons of money. All the efforts for the reimagining, whether it be an attempt to create a franchise or sequel or to modernize the narrative has totally undermined the essence of this otherwise compelling story. The destructiveness of social isolation, religious fanaticism, BULLYING, to name a few, underlined in Stephen King's novel were in no way conveyed effectively in this movie. There is a lack of connection in Moretz's performance and she is unconvincing as a socially deprived and awkward girl. Julianna Moore as always delivers a competent performance. But she can only carry the movie so far. As talented as Moretz is, she is a miscast for this movie. As such, the movie is moderately entertaining at best.
- zenstation13
- 19. Okt. 2013
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Cơn Thịnh Nộ Của Carrie
- Drehorte
- Mississauga, Ontario, Kanada(Carrie's House)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 35.266.619 $
- Eröffnungswochenende in den USA und in Kanada
- 16.101.552 $
- 20. Okt. 2013
- Weltweiter Bruttoertrag
- 84.790.678 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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