IMDb-BEWERTUNG
7,0/10
9364
IHRE BEWERTUNG
Eine Französin kehrt zum ersten Mal nach Korea zurück - dem Land, in dem sie geboren wurde, bevor sie von einem französischen Paar adoptiert wurde. Sie beschließt, ihre leiblichen Eltern aus... Alles lesenEine Französin kehrt zum ersten Mal nach Korea zurück - dem Land, in dem sie geboren wurde, bevor sie von einem französischen Paar adoptiert wurde. Sie beschließt, ihre leiblichen Eltern ausfindig zu machen.Eine Französin kehrt zum ersten Mal nach Korea zurück - dem Land, in dem sie geboren wurde, bevor sie von einem französischen Paar adoptiert wurde. Sie beschließt, ihre leiblichen Eltern ausfindig zu machen.
- Auszeichnungen
- 10 Gewinne & 25 Nominierungen insgesamt
Heo Jin
- Grandmother
- (as Jin Heo)
Dong-Seok Kim
- Jiwan
- (as Dong Seok Kim)
Régine Vial
- Gisèle Benoît
- (as Régine Vial Goldberg)
Shin Dong-ho
- Tena's Father
- (as Dong-ho Shin)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe movie is based on the life of Laure Badufle, a friend of director Davy Chou. Like Freddie, she was born in South Korea, stayed a year there before being adopted in France. At age 23, she came back and lived for two years there before returning to France. A few years after that, Chou accompanied her to South Korea, when they met her biological father and grandmother. According to him, the meeting was full of emotions, of regret and bad communication, with the translator struggling to convey Badufle's anger into polite Korean.
- SoundtracksPetals
Written by Shin Jung-Hyun
Performed by Lee Junh-Hwa
Ausgewählte Rezension
I think I may have warmed to this film better had I not taken an instant dislike to "Freddie" (Park Ji-min). Now it's certainly a testament to this actor that she is able to successfully - and pretty immediately - engender a sense that her character is a rather selfish, manipulative and unpleasant individual; but I'm afraid I struggled to remain engaged as her troubled story of adoption and of her re-introduction to her birth family is played out over the next two hours. "Freddie" appears to have been happily brought up by a couple in France, so her increasingly thoughtless behaviour doesn't really have an anchor - and as we progress and she becomes more obnoxious - as exemplified by her final scene in the car with poor old "Maxime" (Yoann Zimmer) - I found the story has just about run out of merit. The acting is generally good. The efforts from her slightly dipso dad (Oh Kwang-rok) is convincing as he has to reconcile the discovery of his long-lost daughter with his dependency on the bottle and her own pretty obvious disdain for the man. It also offers us quite an interesting insight into just how adoptions worked as the decline of the French colonial system in post-war Korea led to many children being offered by parents who hoped that a childhood and education in France would offer greater opportunity, but again with "Freddie" that isn't really developed. What has turned her into this rather objectionable person is rather left aside. It has an element of "be careful what you wish for" to it, and is, at times, an interesting observation on the stresses of the post-adoption processes but I just didn't like or care about her and so my enthusiasm just waned.
- CinemaSerf
- 14. Mai 2023
- Permalink
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Details
- Erscheinungsdatum
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Box Office
- Budget
- 2.200.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 798.774 $
- Eröffnungswochenende in den USA und in Kanada
- 27.315 $
- 19. Feb. 2023
- Weltweiter Bruttoertrag
- 2.175.376 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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