Der beschämte Geheimdienstagent (und ehemalige Präsidialgarde) Mike Banning befindet sich nach einem Terroranschlag im Weißen Haus gefangen; mit seinem Insiderwissen arbeitet Banning mit der... Alles lesenDer beschämte Geheimdienstagent (und ehemalige Präsidialgarde) Mike Banning befindet sich nach einem Terroranschlag im Weißen Haus gefangen; mit seinem Insiderwissen arbeitet Banning mit der nationalen Sicherheit zusammen, um den Präsidenten vor seinen Entführern zu retten.Der beschämte Geheimdienstagent (und ehemalige Präsidialgarde) Mike Banning befindet sich nach einem Terroranschlag im Weißen Haus gefangen; mit seinem Insiderwissen arbeitet Banning mit der nationalen Sicherheit zusammen, um den Präsidenten vor seinen Entführern zu retten.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn the special features, it mentions that the attack on the White House was planned by former Secret Service agents who were asked how they would attack it if they had to.
- PatzerMike hasn't been to the White House in 18 months, yet all of the lock codes are the same.
- Zitate
Mike Banning: [to Kang] Why don't you and I play a game of fuck off. You go first.
- Alternative VersionenThe edited for TNT/TBS cable TV version aside from the usual language and violence edits most notably hackneys its edit for the part where Mike (Gerard Butler) stabs Kang (Rick Yune) in the head. Instead, the viewer witnesses Mike about to stab and then it cuts straight to Kang's body ceasing to move making it unclear that Kang was stabbed let alone where.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #21.111 (2013)
- SoundtracksChristmas With The Man I Love
Written by Andrew Kingslow (as Andrew Peter Kingslow) (PRS) and Sarah Dowling (NS)
Published by KPM APM (ASCAP)
Courtesy of APM Music
Indeed, Antoine Fuqua's "Olympus Has Fallen" is not only terrific entertainment but a terrific throwback to the pivotal 90's action movie, the Die Hard clone - and this film ("Die Hard" in the White House) is another reminder of why the trusted formula works, even if it has been dormant for nearly two decades (the last good big one being Peter Hyams' "Sudden Death").
From the moment the film's main action start, the film doesn't stop running. The bad guys, hoo boy do they mean business. Rarely, if at all, have I seen this much brutal collateral damage in an American action film. Americans citizens get mowed down by bullets from ground and air forces. The all-American (Scottish) hero represents freedom and justice, and the bad guys represent every American's worst nightmare. I haven't seen this much political incorrectness since "The Delta Force". Having said that, Rick Yune surprisingly makes for an effective and nasty villain, who is relentlessly cold, smug and procedural in his mission, following the formula perfectly. If it ain't broke, don't fix it.
It's fast, it's loud, it's preposterous, and yet I enjoyed every minute of it. The film is chock-full of sensational and well-shot action sequences/special effects, but its biggest strength is its cohesion. From start to finish the plot moves smoothly, and you can tell who the good guys and the bad guys are. The characters are established, their motives clear, and that's that. The action sequences do not simply skip to each other, they flow perfectly like a stream, thanks to crisp editing. Simplicity is key here, and convoluted plots do not fit in the formula (hear that, "Die Hard 5"?)
Fuqua is no stranger to action, having helmed the solid "Shooter" six years ago. Here he ratchets up the action up to a 10 (CGI is present but used reasonably), and he remarkably doesn't hold back on the tension. It's no "Training Day", but it more or less hearkens back to an Antoine Fuqua who made "The Replacement Killers". Just thrilling fun.
Of course the plot isn't original. It's a genre picture, and what I pay to see in a genre picture is its skillful craft and cohesive plot. This film has both, and resurrects the Die Hard clone from the grave. Here I thought I was getting bored of action movies. The genre is dying, you say? Here's a solid kicker.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Olimpo bajo fuego
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 98.925.640 $
- Eröffnungswochenende in den USA und in Kanada
- 30.373.794 $
- 24. März 2013
- Weltweiter Bruttoertrag
- 170.270.201 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1