Edmond Dantes, ein Seemann, der fälschlicherweise des Verrats beschuldigt wird, wird im Château d'If vor Marseille gefangen gehalten.Edmond Dantes, ein Seemann, der fälschlicherweise des Verrats beschuldigt wird, wird im Château d'If vor Marseille gefangen gehalten.Edmond Dantes, ein Seemann, der fälschlicherweise des Verrats beschuldigt wird, wird im Château d'If vor Marseille gefangen gehalten.
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By far the best adaptation of Monte C and closest to the book. Compared to French version this one is superior. Almost 90% is true to the book, the rest is light modifications, some good, some not very smart...
Lacks the intensity of the stories in the book. Maybe one or two more episodes would give time develop all characters correctly!
Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.
Solid adaptation of a great book!
Everything was covered, a lot of details, good cinematography, but a lot is left unsaid... Few characters were merged, and used poorly, but I gave it a high rating, because other adaptations did not even try to follow the book.
Solid adaptation of a great book!
I have seen less than 50 percent of Bille August work and never liked any of his movies, actually most of it made me wanna puke and think he is totally overrated. Mediocre movies that I feel are so poorly made but this one is just amazing.
Maybe it is because this Story is just so amazing, that his talent finally come to show. But this is the best version of the The count of Monte Christo I have ever seen.
Great acting, great flow in the story, cinematic experience was superb felt like a historical experience and the audio was amazing.
Our family, old and young, was glued to the screen for two days.
The only minus was the pretentious birth name of his daughter who had a minor role in the movie which she did, ok. So we withdraw the tenth star.
Maybe it is because this Story is just so amazing, that his talent finally come to show. But this is the best version of the The count of Monte Christo I have ever seen.
Great acting, great flow in the story, cinematic experience was superb felt like a historical experience and the audio was amazing.
Our family, old and young, was glued to the screen for two days.
The only minus was the pretentious birth name of his daughter who had a minor role in the movie which she did, ok. So we withdraw the tenth star.
This series is outstanding in every respect. Certainly, one of the best adaptations of Dumas' book that I have seen in my 61 years. The fact that it's an 8-part miniseries gives the production time to properly flesh out the characters and various plot strands.
Sam Claflin leads a top-notch cast (special mention for Michele Riondino, as Jacopo, and Blake Ritson, who is wonderfully evil in everything!), and the script is excellent.
Some wonderful locations and beautiful cinematography, along with excellent original music, by Volker. Bertelmann) complete what is an epic production.
I only hope it goes on to be seen by a wide audience, as it truly deserves to be seen!
Sam Claflin leads a top-notch cast (special mention for Michele Riondino, as Jacopo, and Blake Ritson, who is wonderfully evil in everything!), and the script is excellent.
Some wonderful locations and beautiful cinematography, along with excellent original music, by Volker. Bertelmann) complete what is an epic production.
I only hope it goes on to be seen by a wide audience, as it truly deserves to be seen!
This is one of the greatest of revenge tales. Even Lew Wallace borrowed from "The Count of Monte Cristo" when he wrote "Ben-Hur" around 40 years after "Monte Cristo" was first published.
A few reviewers on here take issue with how this veers off from the book and don't give it a high rating for that reason. Every adaptation of "Monte Cristo" veers off from the book. That has to happen because the multi-faceted revenge story is complex and wasn't meant to be watched, just read. This veers off in ways that enhance the theme of this story.
This series is a great watch. We couldn't stop. We wanted to know what he was going to do next. And because there was so much irony, many scenes were surprisingly funny as Dantes' victims fell into his web.
Sam Claflin was detached, pained, clever, single-minded and charismatic, credibly portraying everything that Dantes needed to be to pull off his revenge.
A few reviewers on here take issue with how this veers off from the book and don't give it a high rating for that reason. Every adaptation of "Monte Cristo" veers off from the book. That has to happen because the multi-faceted revenge story is complex and wasn't meant to be watched, just read. This veers off in ways that enhance the theme of this story.
This series is a great watch. We couldn't stop. We wanted to know what he was going to do next. And because there was so much irony, many scenes were surprisingly funny as Dantes' victims fell into his web.
Sam Claflin was detached, pained, clever, single-minded and charismatic, credibly portraying everything that Dantes needed to be to pull off his revenge.
For those old enough to have witnessed the Alan Bardel 1964 version, glued to their flickering TV screens, transfixed by the gothic horror and grime, this one was going to be a hard act to follow. To film this, in a modern age, with all the demands of hi-res, colour and costumes was a very brave attempt, and for that I genuinely applaud the effort......... however, it could have been done a WHOLE LOT better, which probably suggests that even with all the EU tax breaks (and other backhanders) there simply were not enough Euros in the chest to really give justice to the Dumas classic. The UK actor Sam Claflin, as Edmond Dantes had screen presence, but arguably not enough ruggedness to really carry the role, in comparison with a persona of Jeremy Iron's gravitas (cellmate Abbe Faria). One big gripe was about the buried treasure. The chests, after having lain for 300 years would have been infested with guano, cobwebs and bat feces, if not totally decimated by Time, but looked like something recently bought on E-bay. Bad move, my continuity guys! Despite all - I'm watching to the end, and I will do my hardest to enjoy it!
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- WissenswertesIn the book the Count of Montecristo made occasional use of a hashish paste. While this is never explicitly stated in the series, several times the Count can be seen eating the content of a small vial.
- PatzerAction inside the prison takes place from 1815, but Edmond and Faria use metric. Napoleon abandoned the system in 1812 (after extensive public protest), and it wasn't brought back until 1840.
- VerbindungenVersion of The Count of Monte Cristo (1908)
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