Eine Gruppe Teenager und deren Eltern versuchen zu erklären, wie vielschichtig sich Beziehungen, Kommunikation, ihr Selbstbild und ihr Liebesleben durch das Internet verändert haben.Eine Gruppe Teenager und deren Eltern versuchen zu erklären, wie vielschichtig sich Beziehungen, Kommunikation, ihr Selbstbild und ihr Liebesleben durch das Internet verändert haben.Eine Gruppe Teenager und deren Eltern versuchen zu erklären, wie vielschichtig sich Beziehungen, Kommunikation, ihr Selbstbild und ihr Liebesleben durch das Internet verändert haben.
- Narrator
- (Synchronisation)
- Brooke Benton
- (as Katherine C. Hughes)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis movie premiered in U.S. theaters on October 1, 2014. It was removed from all U.S. theaters by October 30, and made less than one million dollars domestically.
- PatzerGuild Wars does not have a monthly subscription fee, so Tim's dad couldn't cancel anything by calling his credit card company.
- Zitate
[Last lines]
Narrator: [recites extract from Carl Sagan's Pale Blue Dot, A Vision of the Human Future in Space] That's home. That's us. On it, everyone you love, everyone you know, everyone you ever heard of, every human being who ever was lived out their lives. Every young couple in love, every mother and father, hopeful child, every saint and sinner in the history of our species lived there on the mote of dust suspended in a sunbeam. How frequent their misunderstandings, how fervent their hatreds. Our imagined self-importance, the delusions that we have some privileged position in the Universe are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In all this vastness, there is no hint that help will come from elsewhere to save us from ourselves. Like it or not, for the moment, the earth is where we make our stand.There is perhaps no better demonstration of the folly of human conceits, than this distant image of our tiny world. It underscores our responsibility to deal more kindly with one another and to preserve and cherish the pale blue dot, the only home we've ever known.
- VerbindungenFeatured in The Nostalgia Critic: Does "American Beauty" Still Hold Up? (2014)
- SoundtracksBrandenburg Concerto No. 2 In F BWV 1047
Written by Johann Sebastian Bach
Performed by Hedwig Bilgram, Manfred Clement, Hans-Martin Linde, Münchener Bach-Orchester, Karl Richter, Hansheinz Schneeberger and Pierre Thibaud
Courtesy of Deutsche Grammophon GmbH under license from Universal Music Enterprises
But step back to consider for a moment after the event and we see Jason Reitman has delivered just a very simple, clear message: Internet bad, parents worse. Men, Women & Children is an affecting and engaging film, but it doesn't really tell the truth and opts instead for shock and disgust over reason and discussion. Sometimes, though, we do need to hear the worst news in order to reevaluate.
Men, Women & Children is a dip into the world of a group of high school teenagers, their families, their relationships and their angst played out through texts, Facebook, Twitter and every other online forum that offers as much privacy as a damp tissue over the nether regions in a hurricane. Beyond, or perhaps central to, the teenagers' own problems are those of their parents and, no matter how bad it is for the kids, the adults are in a far deeper quagmire of their own making.
The principal subject matter of Men, Women & Children is the danger of social media but Reitman merely uses it as a spoon to stir a thick, coagulating mixture of isolation, self-obsession, anorexia, infidelity, lust, pornography, mental health, bereavement, divorce, anger, abandonment, oppression and a hint of rape. Ouch! So much subject matter in so little time? That just about sums it up.
Writer/director Reitman has tried to shoehorn so much into his two hours of screen time that there is little opportunity to reflect. Indeed, as the final credits faded, I found myself sitting, static, trying to absorb the impact and information with which I had been bludgeoned. Initially, I felt numbed by the subject matter although my overriding feeling was positive about the film itself. It is a worthy attempt to highlight a worrying trend in our society; I'm just not sure it was well executed.
Billed as a comedy drama, there is little to laugh at in Men, Women & Children. It is a film of extremes that shows the worst of our fears and depicts the darkest of our social media nightmares and you'll need to step back a bit and realize that the world isn't quite this bad (is it?). Reitman it makes plenty of valid points but he nails them firmly to your heart. I'd urge parents and those who live their lives through Facebook to see it, but regard it as a wake up call and not a factual reflection of your impending doom.
Men, Women & Children is a tiny bit sexy, a smidgen funny, often good, very unnerving and frequently thought provoking but it isn't necessarily entirely accurate and it certainly couldn't be accused of being understated.
Adam Sandler is more restrained than we have seen him for a good long while as Don, one half of a bored, unloved married couple. On the flip side, Jennifer Garner is so extreme, so, um, psychotic as the overbearing, paranoid, dictatorial Patricia that you hope Quentin Tarantino is going to appear as a guest director in the final third and wipe her out in a glorious hail of gunfire and swishing Samurai swords. Needless to say, that is not on the cards.
There is actually plenty to enjoy about Men, Women & Children in spite of the heavy-handed delivery. While the adults are busy screwing up their own live and the lives of their children, Brandy (Kaitlyn Dever) and Tim (Ansel Elgort) are quietly, imperfectly attempting to find their own paths through the emotional mayhem. After trying too hard and missing much of the time in The Fault in Our Stars, Elgort brings some much-needed calm and thoughtfulness to the table and the friendship between Tim and Brandy is the calmest but most powerful aspect of Men, Women & Children.
Men, Women & Children could have done with being filtered to make a greater impact but Reitman has shunned subtlety; why be suggestive when you can make your point with a sledgehammer? Be warned, be concerned, be aware, but don't live in fear of your teenagers and Reitman's prediction that their world is going to hell in a handcart.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Hombres, mujeres y niños
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 705.908 $
- Eröffnungswochenende in den USA und in Kanada
- 48.024 $
- 5. Okt. 2014
- Weltweiter Bruttoertrag
- 1.705.908 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1