IMDb-BEWERTUNG
6,6/10
3047
IHRE BEWERTUNG
Eine Geschichte des Louvre während der Nazi-Besatzung und eine Betrachtung zur Bedeutung und Zeitlosigkeit von Kunst.Eine Geschichte des Louvre während der Nazi-Besatzung und eine Betrachtung zur Bedeutung und Zeitlosigkeit von Kunst.Eine Geschichte des Louvre während der Nazi-Besatzung und eine Betrachtung zur Bedeutung und Zeitlosigkeit von Kunst.
- Auszeichnungen
- 2 Gewinne & 7 Nominierungen insgesamt
Charles de Gaulle
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Dwight D. Eisenhower
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Adolf Hitler
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Eric Moreau
- Un capitaine allemand
- (Nicht genannt)
Marika Rökk
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDuring production, this film was often rumored to be shot in a single take, making it an ideal sequel to Aleksandr Sokurov's previous 'museum film', Russian Ark - Eine einzigartige Zeitreise durch die Eremitage (2002). Eventually, a more traditional editing technique was chosen by Sokurov to tell the story.
- PatzerSince the narration is in Russian, it seems as though every time Paris is referred to as the seat of government of France, it's translated in English subtitles as "capital," rather than "Capitol."
- VerbindungenReferenced in Vecherniy Urgant: Maxim Trankov/Tatiana Volosozhar (2015)
- SoundtracksKindertotenlieder
Written by Gustav Mahler
Ausgewählte Rezension
Director Sokurov eschews the usual form for this type of film, which would be documentary, in favor of a sort of historical drama. It switches back and forth from the present era to WWII to the 18th century. It is an attempt to explain the history of The Louvre by integrating several different phases in its existence; The acquisition of much of the artwork by Napoleon in his conquests, transporting it out of harms way before the Nazi occupation, and a contemporary recap of the logistics and hazards involved in each phase.
Can I be frank? I found the whole exercise somewhat confusing. I would get the gist of a particular scenario, only to have the director switch gears and move to another era and another circumstance, and having to readjust my focus and concentration on this new problem (where are we now?, I kept asking myself). I enjoyed glimpses of the Great Hall, the Mona Lisa and several other treasures that go to make The Louvre the epicenter of western culture. All I was asking was a little clarity.
Maybe he just could have made it a documentary.
Can I be frank? I found the whole exercise somewhat confusing. I would get the gist of a particular scenario, only to have the director switch gears and move to another era and another circumstance, and having to readjust my focus and concentration on this new problem (where are we now?, I kept asking myself). I enjoyed glimpses of the Great Hall, the Mona Lisa and several other treasures that go to make The Louvre the epicenter of western culture. All I was asking was a little clarity.
Maybe he just could have made it a documentary.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Francofonia: An Elegy for Europe
- Drehorte
- Rue de l'Echaudé, Paris 6, Paris, Frankreich(drone shot of narrow street)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 307.040 $
- Eröffnungswochenende in den USA und in Kanada
- 22.083 $
- 3. Apr. 2016
- Weltweiter Bruttoertrag
- 1.008.154 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Seitenverhältnis
- 1.66 : 1
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