IMDb-BEWERTUNG
6,0/10
12.575
IHRE BEWERTUNG
Slasher-Persiflage über zwei vom Tod besessene Mädchen, die mit ihrer Online-Show über reale Tragödien ihre kleine Heimatstadt im Mittleren Westen in Aufruhr versetzen und ihr Image als mode... Alles lesenSlasher-Persiflage über zwei vom Tod besessene Mädchen, die mit ihrer Online-Show über reale Tragödien ihre kleine Heimatstadt im Mittleren Westen in Aufruhr versetzen und ihr Image als moderne Horror-Legenden festigen.Slasher-Persiflage über zwei vom Tod besessene Mädchen, die mit ihrer Online-Show über reale Tragödien ihre kleine Heimatstadt im Mittleren Westen in Aufruhr versetzen und ihr Image als moderne Horror-Legenden festigen.
- Auszeichnungen
- 8 Gewinne & 4 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesSyl's little free library is modeled after the Myers' house from Halloween (1978).
- Patzer(at 54 minutes) When Lowell frees himself from the chair, it can be seen that his hands were only zip tied to one another behind his back, and not tied to the chair. As such, he could have gotten off the chair at any time.
- Zitate
Sadie Cunningham: To make an omelette, you have to kill some ex-boyfriends.
- Crazy CreditsWhen the end credit screen for Brianna Hildebrand and Alexandra Shipp appears, three small "selfie" photos of each of them appear next to their names. The photos briefly change into photos of the girls wearing their killer masks.
- VerbindungenFeatures Die Nacht der lebenden Toten (1968)
- SoundtracksUntil The Night Is Over
Performed by Timber Timbre
Written by Taylor Kirk
Courtesy of Arts and Crafts Productions Inc.
By Arrangement with Zync Music Group LLC
Ausgewählte Rezension
"Tragedy Girls" is an odd and unpleasant movie. The characters are too repulsive to care about, but you could at least laugh at them, but the movie doesn't seem to want us to do that. Are we supposed to be impressed by them? Regard them as heroes? Hope for their downfall? What?
The violence in the movie is so ridiculous and over-the-top that it definitely seems to fit the mould of a horror comedy. But there's no other comedy in it. The plot would have been an almost ideal set-up for a satire of today's social media obsessed youth, but the movie avoids any and all opportunities for social commentary.
It keeps you at arm's length from its characters - which will probably be okay with you, honestly - but then at the end seems to expect you to care for them. I didn't.
The ending would be quite bleak in a movie with a social conscience, but this movie has none, so it's more confusing than anything.
The plot: two teenage girls have a blog called "Tragedy Girls" in which they report on local tragedies and are dying for likes - as are, apparently, the people they write about. At the film's beginning, they set-up a poor (?) ugly teenage boy to meet his demise at the hands of a local slasher, and inexplicably take the slasher hostage. Apparently they have an empty warehouse somewhere all to themselves where they can detain serial killers and cut up bodies and nobody knows about it. They don't get many more likes from these escapades so they start killing people themselves.
That is basically it. Aside from a few creative death scenes - which, admittedly, use the horror-comedy trope of bodies being about as fragile as wax figurines - there's nothing else in the movie, really. This is one of few films where the plot description on IMDB tells you everything that happens in the whole movie.
Because it's a movie about two friends, of course there's an unnecessary diversion where they have a falling out and then make up, but that's about it.
The movie, ultimately, left a bad taste in my mouth. A topic like this cries out for comedy, insight, satire, anything. I think the filmmakers just had no idea how to handle it; it's a social commentary story forced into a horror-comedy film.
The violence in the movie is so ridiculous and over-the-top that it definitely seems to fit the mould of a horror comedy. But there's no other comedy in it. The plot would have been an almost ideal set-up for a satire of today's social media obsessed youth, but the movie avoids any and all opportunities for social commentary.
It keeps you at arm's length from its characters - which will probably be okay with you, honestly - but then at the end seems to expect you to care for them. I didn't.
The ending would be quite bleak in a movie with a social conscience, but this movie has none, so it's more confusing than anything.
The plot: two teenage girls have a blog called "Tragedy Girls" in which they report on local tragedies and are dying for likes - as are, apparently, the people they write about. At the film's beginning, they set-up a poor (?) ugly teenage boy to meet his demise at the hands of a local slasher, and inexplicably take the slasher hostage. Apparently they have an empty warehouse somewhere all to themselves where they can detain serial killers and cut up bodies and nobody knows about it. They don't get many more likes from these escapades so they start killing people themselves.
That is basically it. Aside from a few creative death scenes - which, admittedly, use the horror-comedy trope of bodies being about as fragile as wax figurines - there's nothing else in the movie, really. This is one of few films where the plot description on IMDB tells you everything that happens in the whole movie.
Because it's a movie about two friends, of course there's an unnecessary diversion where they have a falling out and then make up, but that's about it.
The movie, ultimately, left a bad taste in my mouth. A topic like this cries out for comedy, insight, satire, anything. I think the filmmakers just had no idea how to handle it; it's a social commentary story forced into a horror-comedy film.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Những Cô Gái Bi Kịch
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 61.899 $
- Eröffnungswochenende in den USA und in Kanada
- 12.125 $
- 22. Okt. 2017
- Weltweiter Bruttoertrag
- 122.211 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Seitenverhältnis
- 2.39:1
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