The captain has lost everything, because he resorted to the most extreme measures to save those who then felt betrayed. The captain can't understand the world any more. So the balcony of his room in the trauma clinic has become his bridge. For four months he was held captive on the freighter Hansa Stavanger. Through simple cross-cutting, which is used to ideal dramatic effect, the relationship between the captain and his Somali pirate is revealed - it is so exciting and so touching, so provocative and so coherent, so extraordinary and so compelling at the same time. DER KAPITÄN UND SEIN PIRAT is a virtually perfect documentary film because it has the unique elements (the protagonists) that are needed for a stunning narrative, and its director, Andy Wolff, deploys them both respectfully and intelligently.

Among the remarkably large number of documentary films that address the filmmakers' own stories, background or mental state, this radical and unrelenting attempt to make a film that examines the total dysfunction of a Turkish immigrant family stands out. As the film makes strikingly clear, for Biene Pilavci there was no alternative in form or in content. The camera is not just her tool, it is her closest ally, and it backs her up and keeps on running when it is particularly painful for the participants. That was already the case before she absconded with the twelve family members, as the astonishing and cleverly used archive material shows.

Stranded on a small piece of land, on the border between India and Bangladesh, a small number of settlers try to survive by smuggling rice, medicine and livestock. Their lives became engulfed in misery when a flood washed away their village. Ghost-like figures, often filmed with infrared cameras, populate the screen, giving the film an almost eerie quality. The jury decided to give a special mention to a bold film that succeeds, through radical and sometimes puzzling formal choices, in conveying the atmosphere of a perpetually changing space: Char - A No Man's Island by Sourav Sarangi.

An intimate portrait of a young Russian boy being transformed into a soldier. With deep emotion, we follow the young soul of Anton, torn between his life with his beloved grandmother and his tough education in a military summer camp. This film shows the director's great talent, revealed especially in the cinematography and editing. Our special mention goes to Un été avec Anton, by Jesna Krajinovic.

Paul never had a small family. In the Seventies, his mother considered that to be a false way of life, so she moved into Otto Mühl's infamous artist commune in Burgenland, where Paul was brought up bereft of any conventional family relationships. Twenty years after the end of an experiment that promised cultural freedom and exercised social totalitarianism, the filmmaker sets about confronting his past - through a content that is unsparing, but a form that is carefully considered and highly intelligent filmicly. In doing so, he also confronts his mother, whom he allows space for reflection. The combination of meetings with former inhabitants of the commune - other children to whom he still has a strong relationship, but also possible fathers - and alarmingly abundant archive material (which becomes evidence) is to the point, dramatically as well as psychologically. Paul-Julien Robert has succeeded in creating a compelling and mature documentary film, because he preserves his artistic composure amid all the personal tragedy.

Subtle power struggles, which we can encounter anywhere, are captured in a classroom. Consciously applying its cinematic means, BE HARD OR GO UNDER tells of four boys and their struggle for their ranks within the group. The great strength of this short film lies in what is omitted. What does a film really need to contain and how do I tell it? The image, sound and concept are concentrated on their common aim. Director Jona Honer has succeeded in making the form and content support each other. And the audience becomes a powerless witness.

Ibrahim is a true film hero. The Kurdish immigrant leads his struggle for a dignified life with stoic perseverance and affable charm. For political reasons he was forced to start a new life far from his roots and his culture and faced with great existential loss. This provides the material for a compelling film narrative. The director, Mano Khalil, has found the right form, the right images and the right protagonist - whose tragedy is perhaps escapable. Ibrahim is a beekeeper and as he fled through the Turkish mountains this was useful camouflage. After his emigration to Switzerland, he was obliged to do menial jobs. Now he needs to prove his eligibility for a pension. The geopolitical coincidence that Ibrahim came to live in Switzerland is fortuitous for the film's structure. It is an ideal country for drawing topographical comparisons with Turkey and making connections between the most extreme cultural contradictions. The director, Mano Khalil, never loses sight of his hero's great capacity for emotion. On the contrary, it becomes the central motif of this highly humanitarian and humanistic documentary film, in which we learn, incidentally, that bees don't just provide honey but also inspiration.

How can you approach a place that was supposed to be your home, when you had to leave it many years ago. Especially if it is a Palestinian refugee camp in Libanon. Where do you go in a world that does not belong to you? Old traces blend together with present life and the wide horizon of history evolves from the personal story of the visitor. In his own voice and with great dignity, humor and compassion the filmmaker leads us through his world and is able to offer a new perspective on the conflict in the Middle East.

A powerful film featuring one of the biggest problems of our time: illegal immigration. After enduring dangerous journeys, four African immigrants are stuck in Bamako. Living together in an empty house, they preserve their hopes and dreams by turning their painful experiences into theatrical performances. Thus, theatre gives them a political voice and boosts their spirit. The filmmaker has managed to create a relationship of respect, intimacy and sincerity with his protagonists. Through remarkable camerawork, a fine sense of rhythm, and great interview talent, the director brings out the dignity in each of his protagonists.