Ishirô Honda(1911-1993)
- Dirección
- Guion
- Dirección de la segunda unidad o asistencia a dirección
Ishirô Honda nació el 7 de mayo de 1911 en Japón. Fue un director y escritor, conocido por Japón bajo el terror del monstruo (1954), Godzilla (1998) y Ran (1985). Estuvo casado con Kimi Honda. Murió el 28 de febrero de 1993 en Tokio, Japón.
Imágenes
Dirección
- 2000
- 1995
- 1993
- Los sueños de Akira Kurosawa7,7
- Dirección (segments The Tunnel, Mount Fuji in Red", prologue and epilogue of "The Weeping Demon, sin acreditar)
- 1990
- 1987
- 1986
- 1985
- 1984
- 1984
- 1977
- 1977
- 1975
- 1973
- 1973
- 1973
Guion
- 2023–2024
- 2023
- 2023
- 2021
- 2021
- 2018
- 2018
- 2017
- 2017
- Godzilla: The Terror of Doom
- based on the character created by
- 2016
- 2016
- 2014
- 2014
- 2007
- 2004
Dirección o asistencia de la segunda unidad
- 1993
- 1991
- 1990
- 1985
- 1984
- 1980
- 1951
- 1950
- 1950
- Kaze no ko
- asistencia a dirección
- 1949
- 1949
- 1949
- Shin baka jidai: kôhen
- asistencia a dirección
- 1947
- 1947
- Chikagai nijuyojikan
- asistencia a dirección
- 1947
- Sitio oficial
- Nombres alternativos
- Inoshiro Honda
- Altura
- 1,80 m
- Nacimiento
- Fallecimiento
- 28 de febrero de 1993
- Tokio, Japón(insuficiencia respiratoria)
- Cónyuge
- Kimi Honda1937 - 28 de febrero de 1993 (su muerte, 2 niños)
- Listings de publicidad
- CuriosidadesHe was best friends with fellow director Akira Kurosawa. Kurosawa considered Honda to be his equal as a director and in his later years, when his health was failing, would call upon Honda to assist him with his productions. Honda would be the one who delivered the congratulations on behalf of Toho when Kurosawa won his Academy Award. Throughout his career, Kurosawa spoke highly of Honda's contributions to film and, after Honda's death, would deliver the eulogy at his funeral.
- Citas[on Rodan] Monsters are tragic beings. They are born too tall, too strong, too heavy. They are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself. After several stories such as this, people end up having a kind of affection for the monsters. They end up caring about them.
- Marcas comercialesFrequently shows scenes of people being overwhelmed by an ambush of crowds, human or inhuman, based on a fear he had while stationed in China during World War II.
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