Tras un romance de verano, Danny y Sandy se reencuentran inesperadamente cuando ella se traslada al instituto Rydell. Allí Sandy debe enfrentarse al cínico Rizzo y a las Pink Ladies para int... Leer todoTras un romance de verano, Danny y Sandy se reencuentran inesperadamente cuando ella se traslada al instituto Rydell. Allí Sandy debe enfrentarse al cínico Rizzo y a las Pink Ladies para intentar volver a conquistar el corazón de Danny.Tras un romance de verano, Danny y Sandy se reencuentran inesperadamente cuando ella se traslada al instituto Rydell. Allí Sandy debe enfrentarse al cínico Rizzo y a las Pink Ladies para intentar volver a conquistar el corazón de Danny.
- Ganó 5 premios Primetime Emmy
- 7 premios y 10 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesDidi Conn, who played Vi, the malt shop waitress, in this production, played "Frenchy" in the original 1978 musical movie production. Barry Pearl, who played Stan Weaver, the TV show producer of the National Bandstand TV show for the school dance (uncredited), in this production, played "Doody" in the original 1978 movie musical production. In the end, when Didi and Barry take their bows, they are wearing the original "T-Birds" and "Pink Ladies" jackets that they wore in the movie.
- PifiasIn the initial East-Coast airing, during the dance-off, coming back from commercial, Vince Fontaine says "American Bandstand" instead of "National Bandstand." The West-Coast airing replaced this with an alternate take where he says the correct line.
- Citas
Principal McGee: Nothing makes a cheerleader more nervous then being late!
- Versiones alternativasThe Fox broadcast version ran roughly 3 minutes longer than the Paramount home video release. As they headed into commercial breaks, Mario Lopez narrated several short behind-the-scenes/making-of segments which were omitted from the DVD.
- ConexionesFeatured in The 68th Primetime Emmy Awards (2016)
Reseña destacada
It's tempting to compare this to the iconic 1978 film, and there are some areas where comparison isn't just inevitable, but unavoidable. However, holding this to the same level of expectation as the film isn't entirely fair.
Firstly, it's a TV movie, not a theatrical release. And it couldn't be more obvious. This is a stripped-down Grease, a little more complicated technically than a Broadway stage performance, but not to the scope of anything that came before it. It has a "budget" feel to it from start to finish, which doesn't make it inherently bad. What could've been a production that thrived on the spontaneity of a live performance ultimately suffers greatly as a result of its reductions. The acting is on par with television acting - good enough to do the job, but with a great deal of room for improvements and enhancements. Try though they may, this fails to live up to the energy level that one likely has come to expect from a production of Grease as well. The dance moves are all there, but they just don't feel the same.
The biggest reduction of the film was the inclusion of modern music, noticeably DNCE's Cake By the Ocean which, although performed in a style more reminiscent of the time, is quite jarring. A modern-day pop song just doesn't sit well in a period piece from multiple decades ago, no matter how you slice it.
The old favorites are done rather well. There was no skimping out on the production value of the music itself. There are modifications for TV, but some of the lyrics ignore the modifications made for the film in favor of the Broadway show which, despite being a fan of the movie, was a nice change.
It was really interestingly staged to give the mirage of a Broadway show as well, which added to the charm of the project as a whole.
Overall, it wasn't too bad. No something I would be particularly eager to go back and revisit anytime soon, but good enough to be a satisfying experience. Grease is STILL the word!
Firstly, it's a TV movie, not a theatrical release. And it couldn't be more obvious. This is a stripped-down Grease, a little more complicated technically than a Broadway stage performance, but not to the scope of anything that came before it. It has a "budget" feel to it from start to finish, which doesn't make it inherently bad. What could've been a production that thrived on the spontaneity of a live performance ultimately suffers greatly as a result of its reductions. The acting is on par with television acting - good enough to do the job, but with a great deal of room for improvements and enhancements. Try though they may, this fails to live up to the energy level that one likely has come to expect from a production of Grease as well. The dance moves are all there, but they just don't feel the same.
The biggest reduction of the film was the inclusion of modern music, noticeably DNCE's Cake By the Ocean which, although performed in a style more reminiscent of the time, is quite jarring. A modern-day pop song just doesn't sit well in a period piece from multiple decades ago, no matter how you slice it.
The old favorites are done rather well. There was no skimping out on the production value of the music itself. There are modifications for TV, but some of the lyrics ignore the modifications made for the film in favor of the Broadway show which, despite being a fan of the movie, was a nice change.
It was really interestingly staged to give the mirage of a Broadway show as well, which added to the charm of the project as a whole.
Overall, it wasn't too bad. No something I would be particularly eager to go back and revisit anytime soon, but good enough to be a satisfying experience. Grease is STILL the word!
- baileycrawly
- 4 jul 2022
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By what name was Grease Live! (2016) officially released in Canada in English?
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