En 1967, en Los Angeles, una viuda y sus hijas invitan a una siniestra presencia a entrar en su hogar sin darse cuenta de lo peligrosa que es.En 1967, en Los Angeles, una viuda y sus hijas invitan a una siniestra presencia a entrar en su hogar sin darse cuenta de lo peligrosa que es.En 1967, en Los Angeles, una viuda y sus hijas invitan a una siniestra presencia a entrar en su hogar sin darse cuenta de lo peligrosa que es.
- Premios
- 2 premios y 7 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected.
- PifiasIn order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen.
- Citas
Doris Zander: Wanna hear something cool?
Mikey: Sure.
Doris Zander: Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel... is cold.
[Mikey looks confused and horrified]
Doris Zander: [smiles] Goodnight, Romeo.
- Créditos adicionalesThere is a post-credits scene with Lin Shaye.
- Banda sonoraYou Gotta Move Me
Written by Dennis Michael Lacey
Performed by Mike Lacey
Courtesy of Crucial Music Corporation
It's obvious that Mike Flannigan is on his way to becoming one of our true masters of horror, but this film seems more like a paycheck movie for him and it shows. He does the best he can with the tepid material, but ends up using the old "distorted faces/mouths with rolled back eyes" effect a few too many times and it quickly becomes tedious.
Like all of Flannigan's films, it's wonderfully well cast and beautifully put together. I just wish they'd spent a little bit more time with the script. You might be better off watching Flannigan's Hush, Absentia, Gerald's Game, Occulus, or The Haunting of Hill House.
- benjaminryder-45940
- 15 jul 2019
- Enlace permanente
Selecciones populares
- How long is Ouija: Origin of Evil?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Ouija: el origen del mal
- Localizaciones del rodaje
- Clark Residences - 306 Loma Drive, Los Ángeles, California, Estados Unidos(the girl's school)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 9.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 35.144.505 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 14.065.500 US$
- 23 oct 2016
- Recaudación en todo el mundo
- 81.705.746 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1