Roma, 1973. Juan Pablo Getty III, heredero y joven miembro de un linage de magnates del aceite, es secuestrado por la mafia italiana para pedir un rescate.Roma, 1973. Juan Pablo Getty III, heredero y joven miembro de un linage de magnates del aceite, es secuestrado por la mafia italiana para pedir un rescate.Roma, 1973. Juan Pablo Getty III, heredero y joven miembro de un linage de magnates del aceite, es secuestrado por la mafia italiana para pedir un rescate.
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- 1 premio y 2 nominaciones en total
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- CuriosidadesThe English estate where J. Paul Getty spent the end of his life, Sutton Place, had been previously occupied by the Duke of Sutherland.
- ConexionesFeatured in Sean Bradley Reviews: All the Money in the World (2018)
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I approached "Trust" with some trepidation. I let it set on the Sky Box for months, having recorded it in the summer of 2018 but not actually coming round to watching it until Easter 2019. Most of the trepidation came because I'd seen some lukewarm reviews and I had seen "All The Money In The World" that year, so was already familiar with the story. I'm glad I gave it a chance though, as with a bit of distance from the film, I found the series pretty enjoyable.
The grandson of the world's Richest Man, John-Paul Getty (Donald Sutherland) is kidnapped in Italy, but his kidnappers have not accounted for the ruthlessness of the old man, who refuses to pay the ransom. Whilst young John III's mother Gail (Hilary Swank) and Getty's "fixer" Fletcher (Brendan Fraser) attempt to determine what's happened, and even whether the kidnapping is genuine, the Italians that have him are becoming increasingly frustrated and desperate.
I think I preferred "Trust" to "All The Money In the World" as the 10 episode scope allowed for a much more detailed look at the case. A deeper investigation of the family dynamics ahead of the kidnapping and a closer look at the mechanics of the crime family that held their valuable hostage are a couple of the deeper cuts. I did worry ahead of watching the series that it would be pretty dry, but it's infused with a sense of pace, and is very well mixed with the editing and cutting in of music of the time. Performances are, across the board, excellent and much credit should go to Harris Dickinson, who is the only actor in every episode, playing John-Paul Getty III, the victim of the kidnapping. Despite his early bohemian wastrel ways, you never lose feelings for him and feel some of the peril he goes through.
It does take one huge risk, allowing Brendan Fraser's character to directly address the audience during two of the episodes. What might be jarring switch actually works quite well, as it allows to show to unload a lot of the context, and the wider resolution on you, without becoming to tiresome or protracted.
Maybe it's just that my expectations were particularly low, but I really enjoyed "Trust" - an unexpected treat.
The grandson of the world's Richest Man, John-Paul Getty (Donald Sutherland) is kidnapped in Italy, but his kidnappers have not accounted for the ruthlessness of the old man, who refuses to pay the ransom. Whilst young John III's mother Gail (Hilary Swank) and Getty's "fixer" Fletcher (Brendan Fraser) attempt to determine what's happened, and even whether the kidnapping is genuine, the Italians that have him are becoming increasingly frustrated and desperate.
I think I preferred "Trust" to "All The Money In the World" as the 10 episode scope allowed for a much more detailed look at the case. A deeper investigation of the family dynamics ahead of the kidnapping and a closer look at the mechanics of the crime family that held their valuable hostage are a couple of the deeper cuts. I did worry ahead of watching the series that it would be pretty dry, but it's infused with a sense of pace, and is very well mixed with the editing and cutting in of music of the time. Performances are, across the board, excellent and much credit should go to Harris Dickinson, who is the only actor in every episode, playing John-Paul Getty III, the victim of the kidnapping. Despite his early bohemian wastrel ways, you never lose feelings for him and feel some of the peril he goes through.
It does take one huge risk, allowing Brendan Fraser's character to directly address the audience during two of the episodes. What might be jarring switch actually works quite well, as it allows to show to unload a lot of the context, and the wider resolution on you, without becoming to tiresome or protracted.
Maybe it's just that my expectations were particularly low, but I really enjoyed "Trust" - an unexpected treat.
- southdavid
- 24 abr 2019
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