PUNTUACIÓN EN IMDb
5,5/10
5,8 mil
TU PUNTUACIÓN
En medio de un apocalipsis zombi, una mujer con un pasado oscuro se encuentra varada en el desierto con un zombi solitario y hambriento tras su cola.En medio de un apocalipsis zombi, una mujer con un pasado oscuro se encuentra varada en el desierto con un zombi solitario y hambriento tras su cola.En medio de un apocalipsis zombi, una mujer con un pasado oscuro se encuentra varada en el desierto con un zombi solitario y hambriento tras su cola.
- Premios
- 3 premios y 1 nominación en total
Argumento
¿Sabías que...?
- CuriosidadesThe airport scenes are filmed at Wendover Airfield Utah. This was a US Army Airfield during World War 2. The B-29 "Enola Gay" that was used to drop the first nuclear bomb on Hiroshima Japan was based here prior to deployment to the Pacific Theater.
- PifiasWhen the red car was shown at the airport it was a 64 or 65 Pontiac GTO. On the road, as she is driving, it is a 68 Olds.
- Créditos adicionalesIn the credits co-writer Stuart Ortiz thanks multiple famous serial killers such as Ted Bundy
- ConexionesFeatured in WatchMojo: Top 20 Outbreak Movies (2020)
Reseña destacada
A stripper-mom fleeing a zombie apocalypse finds herself alone and stranded in the desert as one of the creatures stalks her ...
Good concept with an interesting twist and energetic climax. Plenty of style, with fine cinematography and a few big-bucks effects. This is from the writer/director/producer team behind Grave Encounters, so you might expect a bleak and harrowing story, but it's surprisingly big hearted if not quite optimistic.
But surprise surprise - this experienced team allow a lot of niggles to interrupt the story, with constant lapses in plausibility and logic. For example, in the opening scene the getaway car digs its rear wheel into the sand and won't budge - instantly I thought of a way to dislodge it, but the characters didn't even begin to think - even for the comedy effect. Later, there are plenty opportunities to exploit the creature's weakness, but the heroine doesn't have the wit to even try. A safe-haven house appears and disappears for no reason. The story is peppered with these problems, which kept dragging me out but are easily fixable. It undermined the humour and pathos the story was aiming for, so that's frustrating.
The final act has a serious change of tack, which kinda works. It does deliver on character and emotion, but its awkwardness might have been less if the earlier story had flowed more smoothly. So there's plenty to enjoy in this movie, but the script was just a bit off.
The landscapes are gorgeous, and there's a good car-shot with a face in the wing mirror, plus a fire-lit reveal of the monster creeping up from behind. Also plenty of gore and skin.
Lead actress does well, with a great squeal & scarper when trying to confront the zombie. And the zombie's movements are well done, and he even generated sympathy. Was the chemistry believable? Would have helped to have better dialogue.
Enjoyed the music. And the title comes from a gross-out snack.
Overall: Quality, but sloppy.
Good concept with an interesting twist and energetic climax. Plenty of style, with fine cinematography and a few big-bucks effects. This is from the writer/director/producer team behind Grave Encounters, so you might expect a bleak and harrowing story, but it's surprisingly big hearted if not quite optimistic.
But surprise surprise - this experienced team allow a lot of niggles to interrupt the story, with constant lapses in plausibility and logic. For example, in the opening scene the getaway car digs its rear wheel into the sand and won't budge - instantly I thought of a way to dislodge it, but the characters didn't even begin to think - even for the comedy effect. Later, there are plenty opportunities to exploit the creature's weakness, but the heroine doesn't have the wit to even try. A safe-haven house appears and disappears for no reason. The story is peppered with these problems, which kept dragging me out but are easily fixable. It undermined the humour and pathos the story was aiming for, so that's frustrating.
The final act has a serious change of tack, which kinda works. It does deliver on character and emotion, but its awkwardness might have been less if the earlier story had flowed more smoothly. So there's plenty to enjoy in this movie, but the script was just a bit off.
The landscapes are gorgeous, and there's a good car-shot with a face in the wing mirror, plus a fire-lit reveal of the monster creeping up from behind. Also plenty of gore and skin.
Lead actress does well, with a great squeal & scarper when trying to confront the zombie. And the zombie's movements are well done, and he even generated sympathy. Was the chemistry believable? Would have helped to have better dialogue.
Enjoyed the music. And the title comes from a gross-out snack.
Overall: Quality, but sloppy.
- begob
- 22 ago 2017
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- Recaudación en todo el mundo
- 3599 US$
- Duración1 hora 32 minutos
- Color
- Relación de aspecto
- 2.39:1
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