PUNTUACIÓN EN IMDb
8,2/10
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TU PUNTUACIÓN
Un documental sobre la Primera Guerra Mundial, con metraje inédito, para conmemorar el centenario de la guerra.Un documental sobre la Primera Guerra Mundial, con metraje inédito, para conmemorar el centenario de la guerra.Un documental sobre la Primera Guerra Mundial, con metraje inédito, para conmemorar el centenario de la guerra.
- Nominado a 1 premio BAFTA
- 6 premios y 14 nominaciones en total
Thomas Adlam
- Self - Bedfordshire Regiment
- (voz)
- (as Capt Thomas Adlam VC)
William Argent
- Self - Royal Naval Air Service
- (voz)
- (as LM William Argent)
John Ashby
- Self - The Duke of Cambridge's Own (Middlesex Regiment)
- (voz)
- (as Cpl John Ashby)
Attwood
- Self - British Army
- (voz)
- (as Cpl Attwood)
Walter Aust
- Self - East Yorkshire Regiment
- (voz)
- (as Pte Walter Aust)
Donald Bain
- Self - Seaforth Highlanders
- (voz)
- (as Pte Donald Bain)
Thomas Baker
- Self - Chatham Battalion, Royal Naval Division
- (voz)
- (as Pte Thomas Baker)
George Banton
- Self - 50th Division Headquarters
- (voz)
- (as Sig George Banton)
Walter Becklake
- Self - Northhampyonshire Yeomanry
- (voz)
- (as L Cpl Walter Becklake MM)
Arthur Beeton
- Self - Royal Navy Air Service
- (voz)
- (as POM Arthur Beeton)
Robert Bell
- Self - British Army
- (voz)
- (as Mr Robert Bell)
William Benham
- Self - Hawke Battalion, Royal Navy Division
- (voz)
- (as Sub Lt William Benham)
Joseph Biglin
- Self - Durham Light Infantry
- (voz)
- (as Pte Joseph Biglin)
Edwin Bigwood
- Self - Worcestershire Regiment
- (voz)
- (as Pte Edwin Bigwood)
Horace Birks
- Self - Tanks Corps
- (voz)
- (as Capt Horace Birks)
Edmund Blunden
- Self - Royal Sussex Regiment
- (voz)
- (as Lt Edmund Blunden MC)
Clarence Bourne
- Self - Army Service Corps
- (voz)
- (as S Sgt Clarence Bourne)
Allan Bray
- Self - The Duke of Edinburgh's ((Whiltshire Regiment))
- (voz)
- (as L Cpl Allan Bray)
Argumento
¿Sabías que...?
- CuriosidadesMuch of the footage had never been seen, having sat in the vaults of London's Imperial War Museum for many years.
- PifiasSeveral shots of tanks appear in the film, both Mark V (Mark Five) and Mark V* (Mark Five Star). They have been colourised green. In reality, tanks of these types were painted "a neutral brown colour". See the article by the British Tank Museum which states that. "Surrendering to the inevitable, towards the end of 1916 it was ordered that the tanks should be painted in a 'neutral brown colour' all over." These tanks entered service in 1918, and were factory-painted brown.
- Citas
Soldier: [waving at camera] Hi, mum.
- Créditos adicionales"Filmed on location on the Western Front, 1914 to 1918"
- ConexionesFeatured in Front Row: Episodio #3.3 (2018)
Reseña destacada
Jackson's remarkable looking documentary is an amalgam of archive footage (much of it originally staged for the 1916 film 'The Battle of the Somme'), with only a tiny amount of actual battle footage given the early nature of film cameras in those days, plus the more moving sight of several of the soldiers staring and smiling into camera, and thanks to skillful lip-reading, speaking through interpreted voices.
The slowing down to our standard 24fps and adding of voices is beautifully touching. I personally don't know if it was essential to colourise as some of the greys in the originals are still visible, when uncolourised black and white footage is still just as immediate (the irony is that so many war films nowadays are drained of colour anyway.) Nonetheless, it is a vivid impression of life on the Western Front that Jackson helps to create, and remains refreshingly objective to its time, reflecting the general pro-war feelings at the beginning in 1914, and through carefully selected testimonies of the many hundreds of soldiers, unfolds the story of a kind of war that had never been seen before, or hopefully never will be again. Sadly humanity never learns its lesson, as the "war to end all wars" is now better known as World War I - all the more reason for history to remind us.
You watch this film, and in some of its more harrowing scenes you can see all the visual influence that Jackson drew upon for his Lord of the Rings trilogy. He dedicated this film to his grandfather who served in the war, and watching it , on the day after my own great grandfather's birthday (who also served in WWI), it was a thought provoking moment that stayed with me for a few hours after.
The slowing down to our standard 24fps and adding of voices is beautifully touching. I personally don't know if it was essential to colourise as some of the greys in the originals are still visible, when uncolourised black and white footage is still just as immediate (the irony is that so many war films nowadays are drained of colour anyway.) Nonetheless, it is a vivid impression of life on the Western Front that Jackson helps to create, and remains refreshingly objective to its time, reflecting the general pro-war feelings at the beginning in 1914, and through carefully selected testimonies of the many hundreds of soldiers, unfolds the story of a kind of war that had never been seen before, or hopefully never will be again. Sadly humanity never learns its lesson, as the "war to end all wars" is now better known as World War I - all the more reason for history to remind us.
You watch this film, and in some of its more harrowing scenes you can see all the visual influence that Jackson drew upon for his Lord of the Rings trilogy. He dedicated this film to his grandfather who served in the war, and watching it , on the day after my own great grandfather's birthday (who also served in WWI), it was a thought provoking moment that stayed with me for a few hours after.
- jpsgranville
- 16 oct 2018
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- They Shall Not Grow Old
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 17.956.913 US$
- Recaudación en todo el mundo
- 21.656.913 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original footage)
- 1.85 : 1
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