PUNTUACIÓN EN IMDb
7,2/10
16 mil
TU PUNTUACIÓN
Una amistad improbable surge entre dos vecinos inadaptados, y se convierte en un viaje emocional cuando el más joven de ellos es diagnosticado con un cáncer terminal.Una amistad improbable surge entre dos vecinos inadaptados, y se convierte en un viaje emocional cuando el más joven de ellos es diagnosticado con un cáncer terminal.Una amistad improbable surge entre dos vecinos inadaptados, y se convierte en un viaje emocional cuando el más joven de ellos es diagnosticado con un cáncer terminal.
- Premios
- 3 nominaciones en total
Lu Junchang
- Ku Woo Tai
- (as Junchang Lu)
Argumento
¿Sabías que...?
- CuriosidadesThe red car that they take on the road trip contains the letters DNR which stands for Do Not Resuscitate. This is a legal order to allow natural death.
- PifiasA scene at the beginning of the film shows Michael looking at a forum at a cancer research website. The address bar comes into frame revealing the address to be //Users/AngelJHerrera/Desktop/Puns/ micheal%20screens/Living%20With%20Terminal%20Illness.pdf. Revealing it is not a website and is a PDF file. The user, Angel Herrera, is the production designer of the film.
- ConexionesFeatured in Conan: Ray Romano (2019)
- Banda sonoraKung Fu Capers
Written by Rohan Robert Stevenson
Performed by LML
Courtesy of BMG Music
Reseña destacada
Paddleton is a simple movie. The story is contained, the cinematography plain, and the premise unoriginal. This is all clearly by design. The two main characters, played by Mark Duplass and Ray Romano, are weird, awkward people and they are always presented as they are, ordinary. They live in small apartments one on top of the other. They are single and work simple jobs. They have terrible diets and watch terrible movies. And one of them happens to be very ill.
While it may seem like a criticism for me to call this movie plain and unoriginal, it really is not. Paddleton is not a canvas for some artsy filmmaker to paint with. It is not excessively dramatized or colorful or whimsical. It is what it is, an honest character study of two people. Often the silver screen is reserved for the interesting and the bold, the odd and sometimes depraved, people that seem to merit attention. These two characters are not like that. They are tiny, seemingly insignificant, and each actor melts into their respective personalities. The relationship between the two feels honest and they come across as true friends on the screen. Not to take anything away from Mark Duplass, but Ray Romano really steals most of the scenes they have together. He plays an aging, banal, and single man scarily well.
There are some things I did not like, the music was a bit twee and contained mostly ethereal melodies and simple keys that did not always fit the tone of the accompanying scene. Some of the dialogue felt stilted. But really everything besides the two performances is just window dressing. This is a film about their relationship and the circumstance they must face together. The low budget feel works to focus the viewers attention on these two people, it makes it feel real. We all have to face death in our lives, but we have each other to depend on.
Friendship is such a precious commodity that we often take for granted. It's the little things, like seeing each other on a commute to work, that become noticeable once gone. Paddleton pays homage to the beauty of ordinary life, and reminds us that this finite bit of time we have been given will eventually come to an end. It does not try to prescribe meaning it cannot possible know, it does not romanticize the process, it just is what it is, and in that way it becomes a worthwhile experience.
While it may seem like a criticism for me to call this movie plain and unoriginal, it really is not. Paddleton is not a canvas for some artsy filmmaker to paint with. It is not excessively dramatized or colorful or whimsical. It is what it is, an honest character study of two people. Often the silver screen is reserved for the interesting and the bold, the odd and sometimes depraved, people that seem to merit attention. These two characters are not like that. They are tiny, seemingly insignificant, and each actor melts into their respective personalities. The relationship between the two feels honest and they come across as true friends on the screen. Not to take anything away from Mark Duplass, but Ray Romano really steals most of the scenes they have together. He plays an aging, banal, and single man scarily well.
There are some things I did not like, the music was a bit twee and contained mostly ethereal melodies and simple keys that did not always fit the tone of the accompanying scene. Some of the dialogue felt stilted. But really everything besides the two performances is just window dressing. This is a film about their relationship and the circumstance they must face together. The low budget feel works to focus the viewers attention on these two people, it makes it feel real. We all have to face death in our lives, but we have each other to depend on.
Friendship is such a precious commodity that we often take for granted. It's the little things, like seeing each other on a commute to work, that become noticeable once gone. Paddleton pays homage to the beauty of ordinary life, and reminds us that this finite bit of time we have been given will eventually come to an end. It does not try to prescribe meaning it cannot possible know, it does not romanticize the process, it just is what it is, and in that way it becomes a worthwhile experience.
- fpcholcomb
- 22 feb 2019
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- How long is Paddleton?Con tecnología de Alexa
Detalles
- Duración1 hora 29 minutos
- Color
- Relación de aspecto
- 2.00 : 1
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