Juan es un funcionario de prisiones quien observa en silencio cada domingo la visita de Berta, la madre de uno de los presos. Se hace pasar por otro padre y se inventa a una hija dentro de l... Leer todoJuan es un funcionario de prisiones quien observa en silencio cada domingo la visita de Berta, la madre de uno de los presos. Se hace pasar por otro padre y se inventa a una hija dentro de la cárcel: Josefina. Ambos viven en otra realidad.Juan es un funcionario de prisiones quien observa en silencio cada domingo la visita de Berta, la madre de uno de los presos. Se hace pasar por otro padre y se inventa a una hija dentro de la cárcel: Josefina. Ambos viven en otra realidad.
- Premios
- 1 premio y 11 nominaciones en total
Enrique Rodríguez
- Trompetista
- (as Enrique Rodríguez 'Enriquito')
Argumento
¿Sabías que...?
- Banda sonoraCessate, omai cessate (Cantata) Larguetto, RV 884
Written by Antonio Vivaldi
Arranged by Nerea Alberdi and Vanessa Garde
Reseña destacada
Acceptable and emotional film featuring dramatic moments, humorous situations and some suspense , and for having great performances . ¨Josefina¨ depicts two middle-age characters : Juan (Roberto Alamo) a prison guard who silently observes every Sunday the visit of Berta (Emma Suárez) to her beloved son Sergio (Miguel Bernardeau) who's an inmate in prison . They are both solitary people , who take the same bus , and almost always at the same time, and the first begins to become obsessed with that mature woman , whom he controls from his workplace . To establish relations with Berta , he makes up a daughter who's also in prison. Juan finally manages to get close to her , he surprises himself by posing as another father and inventing a daughter inside jail : Josefina . The need to fill the void in which Juan and Berta live leads them to continue finding themselves beyond the reality that surrounds them.
Josefina (2021) is a simple, feeling story , with brief touches of humor , adding a well worked script , which contains two very fine outlined central characters . The central theme of the film turns out to be the loneliness of the contemporary society and the need of love and social relationships. A slight story about solitude in which our protagonists are Juan , who works in a security company in a Madrid prison , and Berta , who visits her son Sergio every day and including some essential secondary characters, such as Manolo Solo as his companion co-worker Rafael and the veteran Simón Andreu as a neighbour . The cast is completed by Pedro Casablanc who appears in two scenes who proves to be one of the best current Spanish supporting actors as Juan's boss and the young Miguel Bernardeau who plays the starring's son. The picture manages to maintain interest enough without the need for major trappings , including a surprising twist and going on until in the final part in which Berta realizes Juan's deception, reaching a disconcerting, but quite intelligent ending . The brief situations are resolved naturally with a couple of details that require the viewer attention.
The other strong point are the performances of the great starring duo : Emma Suárez as Berta the mother of one of the prisoners and Roberto Álamo as the lonely prson official , displaying splendidly the leading roles and providing natural and credible acting. They both do it very well , and their choice seems to me a success since I can't think of other better performers for this characters . In addition to the fact that their simple presence of this terrific actors on the main bill will be an attraction that will make the public come closer to see them. Without being a film with a great technical display , in fact the movie was shot in low budget , I would like to highlight the work of the cinematographer Santiago Racaj , without having to look for complex approaches , but rather playing with the luminosity that a project as simple as this debut film requires, which is easy to recommend for its simplicity, for shooting adequate environments. It displays atmospheric soundtrack including : Cessate, omai cessate (Cantata) Larguetto, RV 884 written by Antonio Vivaldi , arranged by Nerea Alberdi and Vanessa Garde . This results to be first feature film directed by Javier Marco, after many years shooting short films , the last one "A la cara (2020)", won the Goya award last year. The film is full of small details, in that script written almost perfectly by Belén Sánchez-Arévalo, with whom he has worked on all his short films, which is essential in this project, which makes the story catch you , and manages to keep interest without the need for many dialogues, despite the fact that the viewer is stunned of the outlandish characters . The film was presented in the new directors section of the last edition of the San Sebastian Film Festival, where it was well received by the public and critics attending Zinemaldia. And getting several nominations and prizes , such as : Almería International Film Festival 2021 Winner Roberto Álamo , Nominee Best First Film : Javier Marco ; ASECAN 2021 Nominee Award Best Male Performance Manolo Solo ; Días de Cine Awards 2022 Nominee Best Spanish Actress : Emma Suárez Feroz Awards, 2022 , Nominee Feroz Award Best Actor in a Leading Role : Roberto Álamo ; Goya Awards 2022 nominee best new director Javier Marco , Nominee Best actress Emma Suárez ; San Sebastián International Film Festival 2021 Nominee New Directors AwardJavier Marco and Taipei Film Festival 2022 Nominee International New Talent Competition Grand Prize Javier Marco.
Josefina (2021) is a simple, feeling story , with brief touches of humor , adding a well worked script , which contains two very fine outlined central characters . The central theme of the film turns out to be the loneliness of the contemporary society and the need of love and social relationships. A slight story about solitude in which our protagonists are Juan , who works in a security company in a Madrid prison , and Berta , who visits her son Sergio every day and including some essential secondary characters, such as Manolo Solo as his companion co-worker Rafael and the veteran Simón Andreu as a neighbour . The cast is completed by Pedro Casablanc who appears in two scenes who proves to be one of the best current Spanish supporting actors as Juan's boss and the young Miguel Bernardeau who plays the starring's son. The picture manages to maintain interest enough without the need for major trappings , including a surprising twist and going on until in the final part in which Berta realizes Juan's deception, reaching a disconcerting, but quite intelligent ending . The brief situations are resolved naturally with a couple of details that require the viewer attention.
The other strong point are the performances of the great starring duo : Emma Suárez as Berta the mother of one of the prisoners and Roberto Álamo as the lonely prson official , displaying splendidly the leading roles and providing natural and credible acting. They both do it very well , and their choice seems to me a success since I can't think of other better performers for this characters . In addition to the fact that their simple presence of this terrific actors on the main bill will be an attraction that will make the public come closer to see them. Without being a film with a great technical display , in fact the movie was shot in low budget , I would like to highlight the work of the cinematographer Santiago Racaj , without having to look for complex approaches , but rather playing with the luminosity that a project as simple as this debut film requires, which is easy to recommend for its simplicity, for shooting adequate environments. It displays atmospheric soundtrack including : Cessate, omai cessate (Cantata) Larguetto, RV 884 written by Antonio Vivaldi , arranged by Nerea Alberdi and Vanessa Garde . This results to be first feature film directed by Javier Marco, after many years shooting short films , the last one "A la cara (2020)", won the Goya award last year. The film is full of small details, in that script written almost perfectly by Belén Sánchez-Arévalo, with whom he has worked on all his short films, which is essential in this project, which makes the story catch you , and manages to keep interest without the need for many dialogues, despite the fact that the viewer is stunned of the outlandish characters . The film was presented in the new directors section of the last edition of the San Sebastian Film Festival, where it was well received by the public and critics attending Zinemaldia. And getting several nominations and prizes , such as : Almería International Film Festival 2021 Winner Roberto Álamo , Nominee Best First Film : Javier Marco ; ASECAN 2021 Nominee Award Best Male Performance Manolo Solo ; Días de Cine Awards 2022 Nominee Best Spanish Actress : Emma Suárez Feroz Awards, 2022 , Nominee Feroz Award Best Actor in a Leading Role : Roberto Álamo ; Goya Awards 2022 nominee best new director Javier Marco , Nominee Best actress Emma Suárez ; San Sebastián International Film Festival 2021 Nominee New Directors AwardJavier Marco and Taipei Film Festival 2022 Nominee International New Talent Competition Grand Prize Javier Marco.
- ma-cortes
- 5 ene 2023
- Enlace permanente
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Detalles
Taquilla
- Recaudación en todo el mundo
- 29.673 US$
- Duración1 hora 30 minutos
- Color
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By what name was Josefina (2021) officially released in Canada in English?
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