Dos jóvenes parejas navegan el campo de minas emocional que es crecer y enamorarse.Dos jóvenes parejas navegan el campo de minas emocional que es crecer y enamorarse.Dos jóvenes parejas navegan el campo de minas emocional que es crecer y enamorarse.
- Premios
- 14 premios y 40 nominaciones en total
Ruben E. A. Brown
- Wally
- (as Ruben E.A. Brown)
David A Payton
- Security Guard
- (as David Anthony Payton)
Argumento
¿Sabías que...?
- CuriosidadesThe script Trey Edward Shults sent to Sterling K. Brown was a PDF with embedded music cues, varying font sizes and colors, and notes about aspect ratio changes.
- PifiasWhen Ronald is with his daughter Emily by the lake fishing, there is a sound of a plane overhead and Emily looks up at the sky through a gap in the tree canopy's and there's a plane in the sky, the problem is it is moving too slowly in relation to its size suggesting it is closer to the ground and therefore should be seen to be moving a little quicker. They obviously used CGI but should have got a better handle on this perspective .
- ConexionesFeatured in CTV News at 11:30 Toronto: Episodio fechado 10 septiembre 2019 (2019)
- Banda sonoraFloriDada
Written by Panda Bear (as Noah Lennox), Avey Tare (as David Portner), Geologist (as Brian Weitz)
Performed by Animal Collective
Published by Domino Publishing Company USA (ASCAP)
Courtesy of Domino Recording Company
Reseña destacada
31-year-old director Trey Edward Shults didn't decide to go modest with his third feature. Waves is a big, broad movie, about many relationships, many deep feelings, many social issues. It doesn't always succeed, but boy, it was worth the effort!
Shults focuses on an upscale African-American family in an affluent suburb in Florida. The son's a HS wrestling star, the daughter is quiet and sweet, the dad's successful but tough on his kids because he knows the cost of success particularly for a black family, and the mom, who's in medicine, is an empathic parent. But this seemingly idyllic set-up is shattered in the first minute by the jumping camera and raucous music. The tension is palpable. Something is going to happen throughout this film, but we don't quite know what. (Fear of the unknown was a hallmark of Shults's other notable film, It Comes at Night.)
So this movie is not for the faint-hearted, but it's got a lot to say. About fathers and sons, parents and children, young love, sharing (or not sharing) secrets, hate, anger, and forgiveness, and the effects that great pain - physical and psychic - have on the soul. Needless to say, with this ambitious an agenda, some things work better than others. Some silly plot errors bugged me, but maybe it just doesn't matter much. Another issue that's been raised: a white director working with a black-centric story; didn't bother me, but it's been talked about. Still, the film is never boring, never static, and never mails it in. Even if 75% of the plot and message works, that was good enough for me. It is NOT easy to watch, but it has a lot to say.
Fasten your seatbelts!
Shults focuses on an upscale African-American family in an affluent suburb in Florida. The son's a HS wrestling star, the daughter is quiet and sweet, the dad's successful but tough on his kids because he knows the cost of success particularly for a black family, and the mom, who's in medicine, is an empathic parent. But this seemingly idyllic set-up is shattered in the first minute by the jumping camera and raucous music. The tension is palpable. Something is going to happen throughout this film, but we don't quite know what. (Fear of the unknown was a hallmark of Shults's other notable film, It Comes at Night.)
So this movie is not for the faint-hearted, but it's got a lot to say. About fathers and sons, parents and children, young love, sharing (or not sharing) secrets, hate, anger, and forgiveness, and the effects that great pain - physical and psychic - have on the soul. Needless to say, with this ambitious an agenda, some things work better than others. Some silly plot errors bugged me, but maybe it just doesn't matter much. Another issue that's been raised: a white director working with a black-centric story; didn't bother me, but it's been talked about. Still, the film is never boring, never static, and never mails it in. Even if 75% of the plot and message works, that was good enough for me. It is NOT easy to watch, but it has a lot to say.
Fasten your seatbelts!
- richard-1967
- 5 nov 2019
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 6.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.658.790 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 134.333 US$
- 17 nov 2019
- Recaudación en todo el mundo
- 2.576.990 US$
- Duración2 horas 15 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
- 1.85 : 1
- 2.66 : 1
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What is the Hindi language plot outline for Un momento en el tiempo - Waves (2019)?
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