PUNTUACIÓN EN IMDb
6,7/10
1,9 mil
TU PUNTUACIÓN
Una joven pone a prueba su naturaleza cautelosa e insular cuando viaja a Uzbekistán para filmar el último episodio de su programa de viajes.Una joven pone a prueba su naturaleza cautelosa e insular cuando viaja a Uzbekistán para filmar el último episodio de su programa de viajes.Una joven pone a prueba su naturaleza cautelosa e insular cuando viaja a Uzbekistán para filmar el último episodio de su programa de viajes.
- Premios
- 1 premio y 4 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe film was made to commemorate the 25th anniversary of diplomatic relations between Japan and Uzbekistan, as well as the 70th anniversary of the Navoi Theater, which was built with the labor of Japanese prisoners of war after the end of World War II.
- Banda sonoraHymne à l'Amour
Music by Marguerite Monnot
Lyrics by Édith Piaf
Performed by Atsuko Maeda
Music performed by the National Symphony Orchestra of Uzbekistan
Conducted by Yakubjanov Fazliddin Shamsutdivonich
Reseña destacada
Hands down my most favorite film I've seen this year on Mubi. Truly honest cinema. I know I say this every time I watch anything exceptional, but this here is a very special film I want you all to experience in the theater before it leaves.
Following a naive Japanese woman reporter and her crew in Uzbekistan, we get to accompany a trip in which everything never goes according to plan and the locals never seem to appreciate their presence. It tells a story of how a failed effort to produce a typical shallow travel variety show turns into a journey of self-realization and genuine human contact. A treatise on the diminishing possibility of meaningful intercultural exchange under the current stage of global capitalism, but also its precious value.
Kurosawa's meta-travel documentary piece masterfully dissects the superficiality of globalization, the culture of tourism made possible by the elimination of space through time-that flexible intercontinental mobility of air travel and the instantaneity of digital media-which should serve to bring cultures together, yet paradoxically, ultimately pulls them apart. Sitting in front of TVs and computers, we screen alien cultures in the comfort of our couch, oblivious to the unimaginable life that goes on behind the colorful scenes.
It's a profound meditation on what it means to be a traveller rather than a tourist, to be a participant rather than a spectator, to look past the shiny surface of capitalism's reductive mediatization of differences. It's an invitation to get lost and then, from those in-between places of otherness, stumble upon a way.
As Shuji Terayama would have said: throw away your maps, wander in the bazaars!
Following a naive Japanese woman reporter and her crew in Uzbekistan, we get to accompany a trip in which everything never goes according to plan and the locals never seem to appreciate their presence. It tells a story of how a failed effort to produce a typical shallow travel variety show turns into a journey of self-realization and genuine human contact. A treatise on the diminishing possibility of meaningful intercultural exchange under the current stage of global capitalism, but also its precious value.
Kurosawa's meta-travel documentary piece masterfully dissects the superficiality of globalization, the culture of tourism made possible by the elimination of space through time-that flexible intercontinental mobility of air travel and the instantaneity of digital media-which should serve to bring cultures together, yet paradoxically, ultimately pulls them apart. Sitting in front of TVs and computers, we screen alien cultures in the comfort of our couch, oblivious to the unimaginable life that goes on behind the colorful scenes.
It's a profound meditation on what it means to be a traveller rather than a tourist, to be a participant rather than a spectator, to look past the shiny surface of capitalism's reductive mediatization of differences. It's an invitation to get lost and then, from those in-between places of otherness, stumble upon a way.
As Shuji Terayama would have said: throw away your maps, wander in the bazaars!
- yusufpiskin
- 31 dic 2020
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- To the Ends of the Earth
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración2 horas
- Color
- Relación de aspecto
- 2.39 : 1
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By what name was El fin de cada tiempo, el principio del mundo (2019) officially released in Canada in English?
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