PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Añade un argumento en tu idiomaAn absolute dada movie. Somebody gets killed, his coffin gets out of control and after a chase it stops. The person gets out of it and let everybody who followed the coffin dissapear.An absolute dada movie. Somebody gets killed, his coffin gets out of control and after a chase it stops. The person gets out of it and let everybody who followed the coffin dissapear.An absolute dada movie. Somebody gets killed, his coffin gets out of control and after a chase it stops. The person gets out of it and let everybody who followed the coffin dissapear.
Inge Frïss
- La ballerine
- (as Mlle Frïss)
Man Ray
- Un joueur d'échecs
- (as Man-Ray)
Marcel Achard
- Un homme qui suit le corbillard
- (sin acreditar)
Georges Auric
- Un homme qui suit le corbillard
- (sin acreditar)
Georges Charensol
- Un homme qui suit le corbillard
- (sin acreditar)
Georges Lacombe
- Un homme qui suit le corbillard
- (sin acreditar)
Roger Le Bon
- Un homme qui suit le corbillard
- (sin acreditar)
Jean Mamy
- Un homme qui suit le corbillard
- (sin acreditar)
Rolf de Maré
- Un homme qui suit le corbillard
- (sin acreditar)
Erik Satie
- Un homme qui charge le canon
- (sin acreditar)
Pierre Scize
- Un homme qui suit le corbillard
- (sin acreditar)
Louis Touchages
- Un homme qui suit le corbillard
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe ballet "Relâche" ("Theatre Closed") premiered at the Théâtre des Champs Elyseés in Paris on December 4, 1924. Based on a book and with settings by Francis Picabia, it was a ballet in two acts commissioned and staged by the Ballets Suédois of Rolf de Maré, with choreography by Jean Börlin. As the title "Entr'acte" implies, this film was shown between the two acts, with music by Erik Satie.
- PifiasObvious stand-in for the close-up of Rolf de Maré getting kicked in head, which sends him (via reverse motion) flying back into the end title. The "kick" itself is clearly achieved through reverse motion.
- Versiones alternativasThere is an Italian edition of this film on DVD, distributed by DNA Srl (2 Films on a single DVD). The film has been re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexionesEdited into Avant-garde Cinema (1960)
Reseña destacada
Entr'acte is a light-hearted example of Dada cinema of the 1920's. The tone is consistently playful and silly and you can just tell that the film-makers are having a laugh throughout. I'm certainly not too convinced that there is any particular message here. The emphasis of the film is using the cinematic medium to showcase inventive and surreal imagery in an amusing way. The narrative, such as it is, has us follow a funeral march. Although seeing as this is a Dada film, it's not exactly an ordinary march. For one thing it's led by a camel, and for another, the people in the procession bound around in slow motion for no discernible reason other than it looks funny.
The film itself was conceived as something to be shown in an intermission between other films. It clearly was never meant to be taken too seriously, and it's quite obvious that it was made in a way that allowed some of the leading proponents of the Dada/Surrealist movement to have fun and go for laughs. Surrealism was often an art-form with a sense of humour in any case, as anyone familiar with Salvador Dali's work could attest. Like most art films from the 20's Entr'acte has aged remarkably well and like others displays a sensibility that would be replicated many decades later in avant-garde cinema of the 60's and pop videos of the 80's and beyond. All-in-all a fun film to see.
The film itself was conceived as something to be shown in an intermission between other films. It clearly was never meant to be taken too seriously, and it's quite obvious that it was made in a way that allowed some of the leading proponents of the Dada/Surrealist movement to have fun and go for laughs. Surrealism was often an art-form with a sense of humour in any case, as anyone familiar with Salvador Dali's work could attest. Like most art films from the 20's Entr'acte has aged remarkably well and like others displays a sensibility that would be replicated many decades later in avant-garde cinema of the 60's and pop videos of the 80's and beyond. All-in-all a fun film to see.
- Red-Barracuda
- 13 sept 2010
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Detalles
- Duración22 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
By what name was Entreacto (1924) officially released in Canada in English?
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