PUNTUACIÓN EN IMDb
8,2/10
9,2 mil
TU PUNTUACIÓN
Centrada en la figura de Napoleón Bonaparte, cuenta su juventud y los comienzos de su carrera militar.Centrada en la figura de Napoleón Bonaparte, cuenta su juventud y los comienzos de su carrera militar.Centrada en la figura de Napoleón Bonaparte, cuenta su juventud y los comienzos de su carrera militar.
- Premios
- 4 premios en total
Nicolas Roudenko
- Napoléon Bonaparte enfant
- (as Vladimir Roudenko)
Max Maxudian
- Barras
- (as Maxudian)
Argumento
¿Sabías que...?
- CuriosidadesAbel Gance remembered one scene that was removed by the censors--that of the execution of civilians by soldiers. The camera is used like a bullet, zooming towards one human target, then another, then another. The sequence is lost, although a still photograph does survive.
- PifiasJunoit makes a comment about not needing sand when an artillery shell dumps soil on the sign he is painting. This is based on an actual incident, but Junot was writing a letter for Napoleon not painting a sign.
- Versiones alternativasThere are apparently at least 19 different versions of this film, starting with the original 6-hours cut (in a "triptych" format, requiring three projectors on three screens, called Polyvision). It has been shown in various formats and different running times, including a 1934 version re-edited by director Abel Gance and featuring an added soundtrack.
- ConexionesEdited into Napoléon Bonaparte (1935)
- Banda sonoraThe Thrill of Being In Love (Love Theme of Napoleon and Josephine)
Music by Carmine Coppola
Lyrics by Italia Coppola (USA version)
UK version: score by Carl Davis (based largely on works by Beethoven)
Reseña destacada
The (more or less) full length version of Gance's NAPOLEON assembled by Kevin Brownlow over many years is an absolutely astounding achievement, both for Gance's inspired execution of a vision nearly too big for the screen, and Brownlow's dedication and perseverance, not to mention his superb reconstruction skills in bringing such a masterpiece back for the enjoyment of the world.
Well, not the whole world... Despite all this effort, the full restoration cannot be seen in the United States, on video or theatrically. It's a long story, but I just wanted potential and past viewers of this film to be aware of a few things:
-First of all, though video may be the only way to see this film in the U.S., keep in mind that home video can not even come close to providing the proper setting for such a gorgeous and epic film. The word "epic" has in fact never been so appropriate. So while I don't discourage people from seeing the video for lack of theatrical viewing opportunities, remember that the film was made on and meant to be seen on a grand scale.
-Secondly, the version currently available in the U.S. is not shown at the correct speed (24fps instead of the necessary 18/20fps). Also, it is missing footage. It is my understanding that in order to provide wider release possibilities in the U.S. upon the completion of the first major restoration in the '70s, the U.S. prints were edited somewhat to cut down on the admittedly long running time. This is also why the film is shown faster in the U.S., at "sound speed" or 24 frames per second. The newest restoration runs at 333 minutes, while the U.S. version is only 235.
The primary reason why the latest, glorious 2000 restoration of the film cannot be seen in the U.S. lies mainly with Francis Ford Coppola. Coppola controls the U.S. distribution rights, and allows only the U.S. version - with a score written by his father - to be shown. This is unlikely to change in the near future, so until then, deal with the substandard videotapes or plan your next European trip around one of the periodic English screenings of the film version - believe me, it's worth it!!
Well, not the whole world... Despite all this effort, the full restoration cannot be seen in the United States, on video or theatrically. It's a long story, but I just wanted potential and past viewers of this film to be aware of a few things:
-First of all, though video may be the only way to see this film in the U.S., keep in mind that home video can not even come close to providing the proper setting for such a gorgeous and epic film. The word "epic" has in fact never been so appropriate. So while I don't discourage people from seeing the video for lack of theatrical viewing opportunities, remember that the film was made on and meant to be seen on a grand scale.
-Secondly, the version currently available in the U.S. is not shown at the correct speed (24fps instead of the necessary 18/20fps). Also, it is missing footage. It is my understanding that in order to provide wider release possibilities in the U.S. upon the completion of the first major restoration in the '70s, the U.S. prints were edited somewhat to cut down on the admittedly long running time. This is also why the film is shown faster in the U.S., at "sound speed" or 24 frames per second. The newest restoration runs at 333 minutes, while the U.S. version is only 235.
The primary reason why the latest, glorious 2000 restoration of the film cannot be seen in the U.S. lies mainly with Francis Ford Coppola. Coppola controls the U.S. distribution rights, and allows only the U.S. version - with a score written by his father - to be shown. This is unlikely to change in the near future, so until then, deal with the substandard videotapes or plan your next European trip around one of the periodic English screenings of the film version - believe me, it's worth it!!
- fiddybop
- 3 nov 2001
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Detalles
Taquilla
- Presupuesto
- 20.000.000 FRF (estimación)
- Recaudación en todo el mundo
- 39.448 US$
- Duración5 horas 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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Principal laguna de datos
By what name was Napoleón (1927) officially released in India in English?
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