Añade un argumento en tu idiomaSuave thief Colman is sent to Devil's Island, where he becomes romantically involved with the wife of sadistic warden Digges.Suave thief Colman is sent to Devil's Island, where he becomes romantically involved with the wife of sadistic warden Digges.Suave thief Colman is sent to Devil's Island, where he becomes romantically involved with the wife of sadistic warden Digges.
- Nominado para 1 premio Óscar
- 3 premios y 1 nominación en total
Ernie Adams
- Convict Clerk
- (sin acreditar)
Lionel Belmore
- Convict
- (sin acreditar)
Baldy Biuddle
- Convict
- (sin acreditar)
Count Cutelli
- Vocal Effects
- (sin acreditar)
John George
- Convict
- (sin acreditar)
Harry Ginsberg
- Convict
- (sin acreditar)
Otto Hoffman
- Convict Barber
- (sin acreditar)
Sydney Jarvis
- Ship's Captain
- (sin acreditar)
Tiny Jones
- Small Gossipy Townswoman
- (sin acreditar)
Albert Kingsley
- Felix
- (sin acreditar)
Arturo Kobe
- Convict
- (sin acreditar)
Bob Kortman
- Prison Guard
- (sin acreditar)
George Magrill
- Convict Clerk
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAlso released in a silent version.
- PifiasTodas las entradas contienen spoilers
- Créditos adicionalesOpening credits prologue: The action takes place at the French Penal Colony in South America, commonly known as"Devil's Island."
- ConexionesReferenced in The Youngest Profession (1943)
Reseña destacada
Talkies were still a very new idea when this film was made, and this was star Ronald Coleman's second film with sound.
Surprisingly perhaps the film isn't particularly archaic in the way it is made; the camerawork, the lighting, the direction etc all bear comparison with later films. Of particular interest is the soundtrack; for a 'new idea at the time' the soundtrack is surprisingly good, for example you hear the taunting voices echoing in the warden's mind in one scene.
The plot and acting are of their time, of course; one only needs to (say) listen to popular music of the time to see how certain cultural ideas have changed, but the language of cinematography it seems remains more constant.
Interestingly this film was originally also released in a silent version; presumably many cinemas were not then sound equipped and it wasn't yet certain whether this 'new sound thing' would just be a fad or not.
For something that should be completely anachronistic, a museum piece even, this is a surprising watchable film.
Surprisingly perhaps the film isn't particularly archaic in the way it is made; the camerawork, the lighting, the direction etc all bear comparison with later films. Of particular interest is the soundtrack; for a 'new idea at the time' the soundtrack is surprisingly good, for example you hear the taunting voices echoing in the warden's mind in one scene.
The plot and acting are of their time, of course; one only needs to (say) listen to popular music of the time to see how certain cultural ideas have changed, but the language of cinematography it seems remains more constant.
Interestingly this film was originally also released in a silent version; presumably many cinemas were not then sound equipped and it wasn't yet certain whether this 'new sound thing' would just be a fad or not.
For something that should be completely anachronistic, a museum piece even, this is a surprising watchable film.
- Brucey_D
- 6 mar 2018
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 600.000 US$ (estimación)
- Duración1 hora 26 minutos
- Color
- Relación de aspecto
- 1.20 : 1
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Principal laguna de datos
By what name was Condenado (1929) officially released in Canada in English?
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