PUNTUACIÓN EN IMDb
6,3/10
309
TU PUNTUACIÓN
Añade un argumento en tu idiomaBased on Shakespeare's play: The treacherous Iago plans to ruin the life of Othello by provoking him to jealousy.Based on Shakespeare's play: The treacherous Iago plans to ruin the life of Othello by provoking him to jealousy.Based on Shakespeare's play: The treacherous Iago plans to ruin the life of Othello by provoking him to jealousy.
- Premios
- 1 premio en total
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Argumento
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- CuriosidadesThis film was first telecast 19 August 1948 on New York City's freshly launched WJZ (Channel 7), the first and only station at that time to offer an ongoing series of silent feature films in more or less complete form, shown intermittently for the next twelve months. El águila negra (1925) would be their next offering, Sunday 12 September 1948.
- Versiones alternativasIn 2001, Kino International Corp. copyrighted a 79-minute version of this film, with a new piano music score composed and performed by Jon Mirsalis. All written material is in English; Emil Jannings and director Dmitriy Bukhovetskiy are the only original cast and crew listed.
- ConexionesFeatured in Matar o no matar, este es el problema (1973)
Reseña destacada
I was looking forward to this release of OTHELLO with the same sort of anticipation that I had reserved for Kino's RICHARD III. Therefore I must confess that I found this DVD something of a disappointment which has nothing to do with the film itself but rather with the presentation. My biggest complaint is with the piano score written to accompany the film. It's not a bad score but it seems inadequate for the story and for the visuals especially after hearing Ennio Morricone's score for RICHARD III. An orchestral or chamber music score would have been more appropriate. There's also a considerable lack of information about the main feature. Where are the credits?
Having said that I found the film itself a delight. While not a literal adaptation of OTHELLO, it conveys the psychological essence of the play quite well. This is after all a German silent with the appropriate visual look and stylised performances that are to be expected with such a film. The performances of Emil Jannings and Werner Krauss are simply marvelous especially Krauss whose Iago resembles the Mephistopheles that Jannings would portray in FAUST two years later. His remarkable resemblance to Terry Jones of MONTY PYTHON adds a little something extra for today's audience. It's interesting but not surprising that Lya De Putti as Emilia receives higher billing than Ica von Lenkeffy as Desdemona. Her relationship with Iago is far more interesting than that of Othello and Desdemona. Hungarian actress De Putti appeared in a number of important German silents including THE INDIAN TOMB and VARIETY. Ica von Lenkeffy, another Hungarian actress, has little to do except stand around and look pretty which is often the case with Desdemona on film.
Director Dmitri Buchowetzki mixes potent visuals, close ups, and large scale crowd scenes to great effect. The print is less than perfect but is probably the best available and is still very fine. The supplements are a definite plus and here the piano accompaniment fits quite nicely. The 1911 DESDEMONA takes the top honors. The resemblance of Ronald Colman's A DOUBLE LIFE to it did not go unnoticed. Check out Biograph's 1908 TAMING OF THE SHREW for a rare glimpse of Florence Lawrence, the original Biograph Girl, who portrays Katherine. There is also early Max Linder in ROMEO TURNS BANDIT and interesting costumes in DUEL SCENE FROM MACBETH. All in all a valuable release and a must for silent film fans. It's really good but it could have been even better...For more reviews visit The Capsule Critic.
Having said that I found the film itself a delight. While not a literal adaptation of OTHELLO, it conveys the psychological essence of the play quite well. This is after all a German silent with the appropriate visual look and stylised performances that are to be expected with such a film. The performances of Emil Jannings and Werner Krauss are simply marvelous especially Krauss whose Iago resembles the Mephistopheles that Jannings would portray in FAUST two years later. His remarkable resemblance to Terry Jones of MONTY PYTHON adds a little something extra for today's audience. It's interesting but not surprising that Lya De Putti as Emilia receives higher billing than Ica von Lenkeffy as Desdemona. Her relationship with Iago is far more interesting than that of Othello and Desdemona. Hungarian actress De Putti appeared in a number of important German silents including THE INDIAN TOMB and VARIETY. Ica von Lenkeffy, another Hungarian actress, has little to do except stand around and look pretty which is often the case with Desdemona on film.
Director Dmitri Buchowetzki mixes potent visuals, close ups, and large scale crowd scenes to great effect. The print is less than perfect but is probably the best available and is still very fine. The supplements are a definite plus and here the piano accompaniment fits quite nicely. The 1911 DESDEMONA takes the top honors. The resemblance of Ronald Colman's A DOUBLE LIFE to it did not go unnoticed. Check out Biograph's 1908 TAMING OF THE SHREW for a rare glimpse of Florence Lawrence, the original Biograph Girl, who portrays Katherine. There is also early Max Linder in ROMEO TURNS BANDIT and interesting costumes in DUEL SCENE FROM MACBETH. All in all a valuable release and a must for silent film fans. It's really good but it could have been even better...For more reviews visit The Capsule Critic.
- TheCapsuleCritic
- 23 jun 2024
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Detalles
- Duración1 hora 19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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By what name was Otelo o El moro de Venecia (1922) officially released in Canada in English?
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