La muerte de vacaciones

Many contemporary viewers will find the dialogue here hard going, for the film shows its stage origins; the heightened rhetoric and often extended speeches that have the characters speaking at, rather than to one another, create a rather wooden effect on the screen. This film could not have come from any studio other than Paramount during the 1930s: the only studio that produced what might be called today art films, including this one. From Mae West, W.C. Fields and the Marx Brothers; to the Lubitsch musicals with Maurice Chevalier and Jeanette Macdonald and his European-like sophisticated romantic comedies; to an occasional deMille spectacular; Paramount provided the most diversified output of the early studio era. Yet,with the exception of the occasional action costume drama, most Paramount films seem to have been made on a relatively low budget, with only one or two sets, including this film. However, since set design was always done with some elegance, economy is not as noticeable as with the Warner films. (Where a devotee has seen the same apartment set so often that s/he feels right at home).I notice that most IMDB reviewers give positive comments. Perhaps I was just not ready for this one last night (I recall having enjoyed it more years ago); but for me the components never jelled so as to provide a consistent development of plot or characterizations.