Añade un argumento en tu idiomaBlackmail puts a social climber (Louise Fazenda) and a suitor (Warren William) in a duchess's (Dolores del Río) good graces.Blackmail puts a social climber (Louise Fazenda) and a suitor (Warren William) in a duchess's (Dolores del Río) good graces.Blackmail puts a social climber (Louise Fazenda) and a suitor (Warren William) in a duchess's (Dolores del Río) good graces.
Dolores Del Río
- Inez, Duchess of Rye
- (as Dolores del Rio)
Eily Malyon
- Lady Maynard
- (as Ely Melyon)
Norman Ainsley
- Englishman
- (sin acreditar)
May Beatty
- Dowager
- (sin acreditar)
Billy Bevan
- Police Officer Watkins
- (sin acreditar)
André Cheron
- Croupier
- (sin acreditar)
Charles Coleman
- Torrent's Butler
- (sin acreditar)
Gino Corrado
- Torrents' Cook
- (sin acreditar)
Argumento
Reseña destacada
"The Widow from Monte Carlo" is a short comedy that is surprisingly entertaining and as good as many 90-minute comedy romances of the era. Dolores Del Rio is the Duchess of Rye, a young widow who is restless as she is closing in on one year of mourning. She sneaks out to the casinos of Monte Carlo and watches the games as a stranger beside her (Warren William) makes small talk and flirts a bit, asking her age so he can wager on that number, not particularly a good pickup line for any woman, although Del Rio goes along with it, albeit not speaking, nodding as he points toward "24" (in the real world, Dolores was actually a decade older though she could pass for mid-twenties). He wins, he impulsively kisses her (potential harassment in today's world and maybe then, too) and as he collects his earnings, she slips away like Cinderella, leaving him to ponder just who was this mystery lady. Back at the hotel with her late husband's parents, they persuade her to accept the proposal of the rather sexless acquaintance, Lord (Colin Clive) so she can go on with her life.
Williams is friends with a wealthy middle-aged couple. The husband has made his fortune in marmalade, the wife (Louise Fazenda) an ambitious social climber who has long been trying to make contact with the duchess next door - Del Rio. When Fazenda spots Del Rio on a barge at the beach, William swims out to meet this elusive woman whom he begins to realize was the mystery woman at the casino. He tries to talk her into going to a British equivalent of Coney Island with him on a date, which she agrees to after several requests, tired of being bored sitting at home with her staid in-laws and the colorless Clive. They have a ball and, returning home, pick up an American (Warren Hymer) who happens to be a friendly, garrulous gangster!
The next morning, Del Rio comes to her senses and sends William a note telling him they should no longer see each other, considering she is engaged. Visiting William, Fazenda finds the note, steals it and decides to use it to blackmail Del Rio into attending her party.
This is a cute little comedy/romance with Del Rio (stunning as always) and William making a good screen couple. The movie is notable for casting Clive and Fazenda in roles against type. Clive, famous for the man scientist who created Frankenstein and similar roles, plays a milquetoast albeit pleasant royal while Fazenda, best known for playing earthy hicks, plays a pushy social climber who is not averse to using dirty tricks to get what she wants. Fazenda, a comedy star of the silent era, here is into her six-year contract at Warner Bros, where she was a supporting character actress. She's excellent in a Mary Bolandish part as a chatterbox wife with added menace edge. Warren Hymer is also very good as the gangster on the lam who decides to buddy around with new "pal" William.
This movie is so short it never has any time to drag and could have gone on for another twenty minutes if the producers had wanted but then Warner Bros. Usually did keep most of their programmers fairly brief in the early and mid 1930's, all the better to watch two or three of them in one sitting.
Williams is friends with a wealthy middle-aged couple. The husband has made his fortune in marmalade, the wife (Louise Fazenda) an ambitious social climber who has long been trying to make contact with the duchess next door - Del Rio. When Fazenda spots Del Rio on a barge at the beach, William swims out to meet this elusive woman whom he begins to realize was the mystery woman at the casino. He tries to talk her into going to a British equivalent of Coney Island with him on a date, which she agrees to after several requests, tired of being bored sitting at home with her staid in-laws and the colorless Clive. They have a ball and, returning home, pick up an American (Warren Hymer) who happens to be a friendly, garrulous gangster!
The next morning, Del Rio comes to her senses and sends William a note telling him they should no longer see each other, considering she is engaged. Visiting William, Fazenda finds the note, steals it and decides to use it to blackmail Del Rio into attending her party.
This is a cute little comedy/romance with Del Rio (stunning as always) and William making a good screen couple. The movie is notable for casting Clive and Fazenda in roles against type. Clive, famous for the man scientist who created Frankenstein and similar roles, plays a milquetoast albeit pleasant royal while Fazenda, best known for playing earthy hicks, plays a pushy social climber who is not averse to using dirty tricks to get what she wants. Fazenda, a comedy star of the silent era, here is into her six-year contract at Warner Bros, where she was a supporting character actress. She's excellent in a Mary Bolandish part as a chatterbox wife with added menace edge. Warren Hymer is also very good as the gangster on the lam who decides to buddy around with new "pal" William.
This movie is so short it never has any time to drag and could have gone on for another twenty minutes if the producers had wanted but then Warner Bros. Usually did keep most of their programmers fairly brief in the early and mid 1930's, all the better to watch two or three of them in one sitting.
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- 1 abr 2023
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Detalles
- Duración1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was The Widow from Monte Carlo (1935) officially released in Canada in English?
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