Un veterinario que se hace pasar por médico y el dueño de un caballo de carreras y sus amigos luchan por mantener abierto un sanatorio con la ayuda de un caballo de carreras inadaptado.Un veterinario que se hace pasar por médico y el dueño de un caballo de carreras y sus amigos luchan por mantener abierto un sanatorio con la ayuda de un caballo de carreras inadaptado.Un veterinario que se hace pasar por médico y el dueño de un caballo de carreras y sus amigos luchan por mantener abierto un sanatorio con la ayuda de un caballo de carreras inadaptado.
- Nominado para 1 premio Óscar
- 1 premio y 1 nominación en total
Groucho Marx
- Dr. Hugo Z. Hackenbush
- (as The Marx Brothers)
Chico Marx
- Tony
- (as The Marx Brothers)
Harpo Marx
- Stuffy
- (as The Marx Brothers)
Sig Ruman
- Dr. Steinberg
- (as Sig Rumann)
Hooper Atchley
- Race Judge
- (sin acreditar)
King Baggot
- Race Track Official Starter
- (sin acreditar)
Kenny Baker
- Party Guest
- (sin acreditar)
Vivian Barry
- Telephone Girl
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesWith a running time of one hour and 50 minutes, this is the longest of The Marx Brothers' theatrical films.
- PifiasWhen Stuffy gets on the horse with the wagon, he is wearing a coat and dark trousers. As jockey he wears white pants and jockey shirt. While he could have lost the coat easy enough, there was no opportunity for him to change pants.
- Citas
[Stuffy has grabbed some poison to drink]
Dr. Hackenbush: Hey, don't drink that poison! That's $4.00 an ounce!
- Versiones alternativasAfter the film's opening two musical numbers featuring the songs "I'm Dr. Hackenbush" and "I've got a message from the man in the moon" were removed. This footage is now believed to have been destroyed.
- ConexionesEdited into Hollywood: The Dream Factory (1972)
- Banda sonoraOn Blue Venetian Waters
(1937) (uncredited)
Music by Bronislau Kaper & Walter Jurmann
Lyrics by Gus Kahn
Sung by Allan Jones
Danced by Vivien Fay and an Ensemble of Girls
Reseña destacada
I haven't seen enough of the Marx Brothers' films to say which is their best and which is their worst. I have seen Duck Soup, which I would say has to be at least one of their best, seeing that I believe it to be one of the funniest comedies ever. I have also seen A Night at the Opera, which is also often considered one of their best, often the best. I myself found it much less funny than Duck Soup. I wanted to kill myself during the musical numbers of that film.
Now I've seen A Day at the Races, the Brothers' follow up to A Night at the Opera, a smash hit in theaters. Generally, Races is considered a weak follow-up to a great film. I disagree. I liked A Day at the Races much more than A Night at the Opera (but a bit less than Duck Soup). All three Brothers are firing bullseye after bullseye. Harpo could stand to do a little bit more. He may have had the funniest role in Duck Soup. He was an utter maniac with total disregard for human life. When the Marx Brothers left Paramount for MGM, their edge was dulled down a bit. Oh well, Races still succeeds.
Also, except for the boring opera voice, even the musical numbers work here. I love to watch Chico play the piano. That's hilarious. Harpo's harp number is less good, but still not bad. The ballet sequence is also quite good. There's one more musical number that's just fantastic: the poor black folk singing "Who's that man?" as Harpo runs around playing the flute. It's somewhat shocking to see a scene like this. It does not exploit them (it may seem to now, but it was probably quite inclusive and progressive in its day), and it's a smash.
Now I've seen A Day at the Races, the Brothers' follow up to A Night at the Opera, a smash hit in theaters. Generally, Races is considered a weak follow-up to a great film. I disagree. I liked A Day at the Races much more than A Night at the Opera (but a bit less than Duck Soup). All three Brothers are firing bullseye after bullseye. Harpo could stand to do a little bit more. He may have had the funniest role in Duck Soup. He was an utter maniac with total disregard for human life. When the Marx Brothers left Paramount for MGM, their edge was dulled down a bit. Oh well, Races still succeeds.
Also, except for the boring opera voice, even the musical numbers work here. I love to watch Chico play the piano. That's hilarious. Harpo's harp number is less good, but still not bad. The ballet sequence is also quite good. There's one more musical number that's just fantastic: the poor black folk singing "Who's that man?" as Harpo runs around playing the flute. It's somewhat shocking to see a scene like this. It does not exploit them (it may seem to now, but it was probably quite inclusive and progressive in its day), and it's a smash.
- zetes
- 24 jun 2001
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- How long is A Day at the Races?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Un dia a les curses
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.016.000 US$ (estimación)
- Duración1 hora 51 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Un día en las carreras (1937) officially released in India in English?
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