PUNTUACIÓN EN IMDb
5,9/10
842
TU PUNTUACIÓN
Añade un argumento en tu idiomaHarold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.
Charles Middleton
- John Thorne aka The Dragon
- (as Chas. Middleton)
Will Walling
- Police Captain Walton
- (as William Walling)
Grady Sutton
- Man at Party (silent version)
- (escenas eliminadas)
Brooks Benedict
- Handcuffed Prisoner at Police Station
- (sin acreditar)
Eddy Chandler
- Cop
- (sin acreditar)
Rae Daggett
- Woman Sitting in Police Station
- (sin acreditar)
Douglas Haig
- Buddy Lee
- (sin acreditar)
Edgar Kennedy
- SFPD Desk Sergeant
- (sin acreditar)
Tetsu Komai
- Florist Henchman
- (sin acreditar)
Wang Lee
- Chinaman with Queue
- (sin acreditar)
James B. Leong
- Florist Henchman
- (sin acreditar)
- …
Jim Mason
- Barry Steele
- (sin acreditar)
- …
Nelson McDowell
- 1st Train Passenger
- (sin acreditar)
Soo Hoo Sun
- Dead Chinese Man
- (sin acreditar)
James Wang
- Dr. Chang Gow
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesBegan shooting as a silent in August, 1928 at Metropolitan Studios, it would become an agonizingly long and complicated production. It was finally released on October 12, 1929 as a talkie after largely being re-shot with another director - Clyde Bruckman as a talkie (marking the first time Lloyd worked from a script) and painstakingly edited down from an original 16-reels (some 2 hours and forty-five minutes) to 12-reels. The silent version cost $521,000 and another $281,000 was spent on the sound negative. While the novelty of hearing Lloyd speak made it his largest grossing hit since El estudiante novato (1925), those steep production costs resulted in a huge drop in net profits from his earlier features.
- PifiasIn many of the dubbed scenes, the voices are out of synchronization with the actors' lip movements.
- Citas
Billie Lee: I just put my foot in the wrong place.
Harold Bledsoe: Oh, you did. Well, if you do it again, I'll put my foot in the right place!
- Versiones alternativasThere is an all-silent version of this film distributed to unwired cinemas which includes more of the original "silent" version and is adapted with inter-titles for the newer sound sequences.
- ConexionesFeatured in American Masters: Harold Lloyd: The Third Genius (1989)
Reseña destacada
As you might have read here, this movie bridges silents and sound, having been shot without sound, and reshot when sound arrived -- and it appears that little of the silent material was used. There are silent-style titles between scenes, but basically we're watching an early sound film.
Sadly, like many early sound films, it's bogged down by the clumsy technology. The camera is static and actionless... in a Harold Lloyd movie! Harold has few action scenes, or even moments, for most of the film. Meanwhile, his character, speaking for the first time, turns out to be a smart-aleck, not at all like his sympathetic silent persona. Add to that the many moments when he bops somebody on the head or kicks them in the pants, which in sound comes off as painful more than comic. And the fact that he keeps casually destroying other people's property with no motivation makes him come off as, well, kind of a jerk.
Sound quality is not bad for the primitive era, but many scenes are obviously redubbed. And the dialogue! It's inane, which is bad enough. But worse, it's painfully slow, mostly overpronounced in projected, stage-actory voices. As a result, the film drags on at an adagio pace for just short of two hours. Way too long for any comedy.
And to read, again here, that it was previewed at THREE HOURS, tells me that this must have been one of the classic ill-fated Hollywood productions.
And yet... There are some real treats here. Edgar Kennedy is great as the irascible desk sergeant. He's on screen for a long time, but unbilled. Meanwhile, prominent billing goes to Charles Middleton as the weaselly John Thorne. This pleased me because four years later, Middleton and Kennedy both appeared (not together) in one of the one or two greatest comedies ever made, Duck Soup.
In Duck Soup, Kennedy has a series of great scenes -- as the lemonade salesman with Harpo, followed by Harpo, Chico, and the hat-and-leg-swapping routine. And when Freedonia goes to war, he gets to sit on Harpo in the bath.
Meanwhile, Charles Middleton, third-billed here, has merely a bit in Duck Soup, as the prosecutor at Chicolini's trial, playing straight man to Chico and Groucho. Short, but like every moment of Duck Soup, sublime.
Out of respect to the greatness of Harold Lloyd, I can't give this less than a five. But no more, either. It's for diehards & completists only. I'm one myself, but this is a long, hard slog.
Sadly, like many early sound films, it's bogged down by the clumsy technology. The camera is static and actionless... in a Harold Lloyd movie! Harold has few action scenes, or even moments, for most of the film. Meanwhile, his character, speaking for the first time, turns out to be a smart-aleck, not at all like his sympathetic silent persona. Add to that the many moments when he bops somebody on the head or kicks them in the pants, which in sound comes off as painful more than comic. And the fact that he keeps casually destroying other people's property with no motivation makes him come off as, well, kind of a jerk.
Sound quality is not bad for the primitive era, but many scenes are obviously redubbed. And the dialogue! It's inane, which is bad enough. But worse, it's painfully slow, mostly overpronounced in projected, stage-actory voices. As a result, the film drags on at an adagio pace for just short of two hours. Way too long for any comedy.
And to read, again here, that it was previewed at THREE HOURS, tells me that this must have been one of the classic ill-fated Hollywood productions.
And yet... There are some real treats here. Edgar Kennedy is great as the irascible desk sergeant. He's on screen for a long time, but unbilled. Meanwhile, prominent billing goes to Charles Middleton as the weaselly John Thorne. This pleased me because four years later, Middleton and Kennedy both appeared (not together) in one of the one or two greatest comedies ever made, Duck Soup.
In Duck Soup, Kennedy has a series of great scenes -- as the lemonade salesman with Harpo, followed by Harpo, Chico, and the hat-and-leg-swapping routine. And when Freedonia goes to war, he gets to sit on Harpo in the bath.
Meanwhile, Charles Middleton, third-billed here, has merely a bit in Duck Soup, as the prosecutor at Chicolini's trial, playing straight man to Chico and Groucho. Short, but like every moment of Duck Soup, sublime.
Out of respect to the greatness of Harold Lloyd, I can't give this less than a five. But no more, either. It's for diehards & completists only. I'm one myself, but this is a long, hard slog.
- woid
- 23 abr 2006
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Detalles
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- Presupuesto
- 979.828 US$ (estimación)
- Duración1 hora 53 minutos
- Color
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Principal laguna de datos
What is the Spanish language plot outline for ¡Qué fenómeno! (1929)?
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