Añade un argumento en tu idiomaEvents take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.
- Railroad Worker at Lunch Counter
- (sin acreditar)
- Yardmaster
- (sin acreditar)
- Railroad Worker at Lunch Counter
- (sin acreditar)
- Railroad Worker
- (sin acreditar)
- Railroad Worker
- (sin acreditar)
- Miss Astor - Bill's Landlady
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAlthough the title card bears a 1930 copyright statement, this film was apparently never copyrighted, under either of its two titles. It was completed in mid-1930, and reviewed in Motion Picture Herald 4 October 1930, and in Photoplay Magazine in December 1930, but did not open in New York City until April 1931.
- PifiasWhen Bill and Lily are embracing in the kitchen in front of the stove the moving shadow of the boom microphone is visible on the wall below the window behind them.
- Citas
[behind the lunch counter at the railroad yard, gum-chewing waitress Marie hears a train whistle - her cue to get ready to meet her boyfriend, Bill]
Marie: [taking off her apron] Anything else you guys want?
Railroad worker at Lunch Counter: Yeah, gimme a big slice a' you on toast, and some French-fried potatoes on the side.
Marie: [taking out her compact and powdering her face] Listen, baby, I'm A.P.O.
Railroad worker at Lunch Counter: [to the other railroad worker] What does she mean, A.P.O.?
Marie: Ain't Puttin' Out! Besides, I'm Bill White's girl, and I'm a one-man woman.
Railroad worker at Lunch Counter: That's a hot one, Marie.
Marie: Whattaya mean "that's a hot one"?
Railroad worker at Lunch Counter: Didn't I see you down ta Fishbeck's Dance Hall with Elmer Brown?
Marie: Oh yeah. Elmer's a kind of a cousin of mine.
Railroad worker at Lunch Counter: Oh! Some cousins are sure affectionate.
Marie: Nevertheless, he's my distant cousin.
Railroad worker at Lunch Counter: That's her story, and she's gonna stick to it.
Marie: It's the story Bill's gonna hear unless you guys do some broadcasting of your own.
Railroad worker at Lunch Counter: Well, don't worry. Not me. I ain't gonna get in no trouble.
Marie: [walking toward the door] Then stop shootin' off your big mouth.
Railroad worker at Lunch Counter: Hey Marie. Wouldja gimme a flock a' donuts with small holes?
Marie: [at the door, hand on hip] If there're any small holes around here, I'll eat 'em myself.
[the men laugh as she leaves the diner]
- ConexionesFeatured in American Masters: Warner Bros.: Una Historia Para El Recuerdo (2008)
- Banda sonoraWherever You Stray, Wherever You Go
(uncredited)
Composer unknown
Sung a cappella by Grant Withers, J. Farrell MacDonald and Mary Astor
A curiously ambiguous ending might make you wonder what point the film was trying to make about morality. Be assured that after the Code was in effect, this picture would have ended differently.
- jaykay-10
- 31 ene 2004
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- How long is Other Men's Women?Con tecnología de Alexa
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- Other Men's Women
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- Duración1 hora 11 minutos
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