PUNTUACIÓN EN IMDb
6,5/10
2 mil
TU PUNTUACIÓN
Un hombre, Hilary Fairfield regresa a casa después de quince años en un manicomio. Sin embargo, descubre que las cosas no son como eran cuando se fue.Un hombre, Hilary Fairfield regresa a casa después de quince años en un manicomio. Sin embargo, descubre que las cosas no son como eran cuando se fue.Un hombre, Hilary Fairfield regresa a casa después de quince años en un manicomio. Sin embargo, descubre que las cosas no son como eran cuando se fue.
- Premios
- 5 premios en total
Bramwell Fletcher
- Gareth
- (sin acreditar)
Dick French
- Party Guest
- (sin acreditar)
Julie Haydon
- Party Guest
- (sin acreditar)
Dennis O'Keefe
- Party Guest
- (sin acreditar)
Mildred Shay
- Party Guest
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesDavid O. Selznick and George Cukor disagreed about casting Katharine Hepburn. Cukor had seen Hepburn's screen test and was impressed by the 24-year-old, but Selznick did not like the way she looked and was afraid she would not be well received by audiences. Cukor cast her anyway (beginning what would be a lifelong professional and personal relationship between the two)
- Pifias'Katharine Hepburn' is misspelled in the credits as 'Katherine Hepburn'.
- Citas
Hilary Fairfield: Do you know what the dead do in Heaven? They sit on their golden chairs and sicken for home.
- Créditos adicionalesSydney Fairfield is the name of Katharine Hepburn's character in the film, but her name is spelled Sidney in the credits.
- ConexionesFeatured in David O. Selznick: 'Your New Producer' (1935)
- Banda sonoraSilent Night, Holy Night (1818)
(uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
English lyrics anonymous
Sung by carollers on Christmas Eve
Reseña destacada
Unlike some other reviewers here, I did not find the acting stagy or over-the-top melodramatic. Then again, most of the movies I watch are from the 20s and 30s, so I am used to this style of acting.
I was surprised by this movie. It breaks your heart, then never lets up. There's no light comedy to offset the drama, and there's no happy ending.
John Barrymore was amazing. My favorite performances of his have for a long time been Dr Jekyll (1920) and Svengali (1931). I've seen many other films of his (including Counsellor at Law which many people claim to be one of his best performances), but after seeing Bill of Divorcement tonight, I think this might be my most favorite performance. Sure, it was hammy, but that doesn't make it bad. Barrymore emoted his heart out, and my heart did literally ache each time he expressed his own agony and pain on screen. I was shocked to find myself in tears over his character's pain.
Billie Burke was a wonderment as well. I know her best from her slightly comic roles, such as the supercilious wife in Dinner at Eight, or her various Mrs. Topper roles (and, yes, of course Glinda the Good Witch). I didn't know she had it in her to do dramatic stuff, but she had me in tears as well on more than one occasion. She really made me feel the agony and conflict she was in, being in love with Paul Cavanagh and yet feeling pity and obligation to Barrymore.
I found the writing and the direction to be superb. One particular scene was almost sublime in its pathos: Billie Burke sitting in a chair, John Barrymore on the floor with his arms wrapped around her, his head in her lap as he cries. He can't comprehend why she doesn't want him, he asks her didn't she vow to be with him through better and worse, through sickness and in health? He asked what he did that was wrong, other than to get sick? He reminds her of what a kind person she is, how he even noticed her once stepping around a "green crawling thing" so as to not harm the creature, and he wonders if she could show pity and compassion to the green crawling thing, then why couldn't she show the same kind of compassion to him? Three-hankie stuff for sure!
I was surprised by this movie. It breaks your heart, then never lets up. There's no light comedy to offset the drama, and there's no happy ending.
John Barrymore was amazing. My favorite performances of his have for a long time been Dr Jekyll (1920) and Svengali (1931). I've seen many other films of his (including Counsellor at Law which many people claim to be one of his best performances), but after seeing Bill of Divorcement tonight, I think this might be my most favorite performance. Sure, it was hammy, but that doesn't make it bad. Barrymore emoted his heart out, and my heart did literally ache each time he expressed his own agony and pain on screen. I was shocked to find myself in tears over his character's pain.
Billie Burke was a wonderment as well. I know her best from her slightly comic roles, such as the supercilious wife in Dinner at Eight, or her various Mrs. Topper roles (and, yes, of course Glinda the Good Witch). I didn't know she had it in her to do dramatic stuff, but she had me in tears as well on more than one occasion. She really made me feel the agony and conflict she was in, being in love with Paul Cavanagh and yet feeling pity and obligation to Barrymore.
I found the writing and the direction to be superb. One particular scene was almost sublime in its pathos: Billie Burke sitting in a chair, John Barrymore on the floor with his arms wrapped around her, his head in her lap as he cries. He can't comprehend why she doesn't want him, he asks her didn't she vow to be with him through better and worse, through sickness and in health? He asked what he did that was wrong, other than to get sick? He reminds her of what a kind person she is, how he even noticed her once stepping around a "green crawling thing" so as to not harm the creature, and he wonders if she could show pity and compassion to the green crawling thing, then why couldn't she show the same kind of compassion to him? Three-hankie stuff for sure!
- Ursula_Two_Point_Seven_T
- 27 ene 2007
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- How long is A Bill of Divorcement?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Un día de Navidad
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 300.000 US$ (estimación)
- Duración1 hora 10 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Doble sacrificio (1932) officially released in Canada in English?
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