Taxi, Mister

For the third and final film in the William Bendix-Joe Sawyer two guys from Brooklyn series, Hal Roach decided on a trip down memory lane to the Roaring Twenties when our guys were just getting started in the cab business. Back then Bendix and Corbett were not millionaires yet, but blue collar guys in fact as well as attitude.

They're splitting driving a cab day and night at that point and one afternoon when Bendix escorts a drunken Jack Norton to the burlesque house he meets the love of his life and falls big for Grace Bradley, strutting herself on the stage. Actually due to some of Norton's antics she falls off the stage and in Bendix's lap.

Since gangster Sheldon Leonard is also interested in Bradley, he takes a dim view of Bendix's attentions. But he uses him and nearly gets him framed for having bootleg booze and a tommy gun in his cab which were planted.

I think you can tell where this is going and since we've seen the other two previous films the audiences of 1943 already knew how this would turn out. Bendix's native Brooklynisms are scattered throughout the script, we sympathize with him more than Leonard does when the police give him the 'Thoity Thoid' degree. Frank Faylen and Mike Mazurki are here also as an amiable pair of thugs working for Leonard and Iris Adrian is always good as the smart mouth waitress.

This was the end of the series because Bendix was now with Paramount and Hal Roach no longer had his services. But Tim McGuerin lived on as Bendix created Chester A. Riley another lovable Brooklynite for the radio and small screen.

A nice low budget comedy from Hal Roach from a two short and forgotten series of films.