PUNTUACIÓN EN IMDb
7,0/10
4,2 mil
TU PUNTUACIÓN
Una casera sospecha que su nuevo inquilino es Jack el Destripador.Una casera sospecha que su nuevo inquilino es Jack el Destripador.Una casera sospecha que su nuevo inquilino es Jack el Destripador.
- Premios
- 1 premio en total
Cedric Hardwicke
- Robert Bonting
- (as Sir Cedric Hardwicke)
Fred Aldrich
- Plainclothesman
- (sin acreditar)
Harry Allen
- Conductor
- (sin acreditar)
Jimmy Aubrey
- Cab Driver
- (sin acreditar)
Joan Bayley
- Undetermined Secondary Role
- (sin acreditar)
Wilson Benge
- Vigilante
- (sin acreditar)
Billy Bevan
- Bartender
- (sin acreditar)
Ted Billings
- News Vendor
- (sin acreditar)
Edmund Breon
- Manager
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesMerle Oberon fell in love with the film's cinematographer, Lucien Ballard, and they married the following year. Because of facial scars Oberon sustained in a car accident, Ballard developed a unique light for her that washed out any signs of her blemishes. The device is known to this day as the Obie (not to be confused with the Off-Broadway award).
- PifiasThe police inspector says that a fingerprint was taken from one of the Ripper murder scenes, and the inspector himself carries a vial of fingerprinting powder. However, the Ripper murders took place in 1888; the first criminal identification from fingerprints took place in Argentina in 1892, and the British police did not adopt fingerprinting until 1901.
- Citas
Slade: You wouldn't think that anyone could hate a thing and love it too.
Kitty Langley: You can't love and hate at the same time.
Slade: You can! And it's a problem then...
- ConexionesFeatured in Creature Features: The Lodger/The Black Pit of Dr. M (1971)
- Banda sonoraWhat-cher, 'Ria!
(ca 1885) (uncredited)
Music by Bessie Bellwood
Lyrics by Will Herbert
Sung a cappella by a mob outside a pub
Reseña destacada
From the first few frames, as the title credits wash in and out like the tide, this is a superb film, full of fog, shadows, suspense, and great performances from Cregar (brilliant in this), Oberon, Hardwicke and others. It manages to be chilling and moving at the same time, and the ending seems incredibly sad and poetic after what has gone before. This makes it all the more memorable. Sadly not on video at the moment unless you dig around, but deserves to be better known than perhaps it is. In comparison with the silent version by Hitchcock, this is more deranged and evil than Novello's cuckoo clocks and wild eyes, and also has a more logical conclusion that the viewer was sure of from early on. The strongest scene is the one in Oberon's dressing room quite near the end, which gives the viewer as much of a fright as it gives her. After that it is somehow reminiscent of Phantom of the Opera, not without advantage. Well worth a look.
- didi-5
- 28 feb 2003
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 800.000 US$ (estimación)
- Duración1 hora 24 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
What is the French language plot outline for Jack, el destripador (1944)?
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