PUNTUACIÓN EN IMDb
7,4/10
1,2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaThe discovery of a perfect pearl forever changes the lives of a poor Mexican fisherman and his family.The discovery of a perfect pearl forever changes the lives of a poor Mexican fisherman and his family.The discovery of a perfect pearl forever changes the lives of a poor Mexican fisherman and his family.
- Premios
- 9 premios y 6 nominaciones en total
Imágenes
José Arratia
- Tratante de perlas
- (sin acreditar)
Guillermo Calles
- Indio rastreador
- (sin acreditar)
Maria Elena Cuadros
- Juanita
- (sin acreditar)
Columba Domínguez
- Pueblerina
- (sin acreditar)
Enedina Díaz de León
- Yerbera
- (sin acreditar)
Agustín Fernández
- Pueblerino
- (sin acreditar)
Rogelio Fernández
- Pueblerino
- (sin acreditar)
Raquel García
- Pueblerina
- (sin acreditar)
Andrés Huesca
- Músico
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesEmilio Fernández, who was in love with Olivia de Havilland, thought she was the ideal actress to play the female starring role. De Havilland never knew of his secret love, but the director was able to get the government of Mexico City to change the name of the street he grew up on to "Dulce Olivia" (Sweet Olivia).
- Citas
Narrator: This is a story that old men tell to children. They aren't sure where it happened or when.
- Versiones alternativasA short version (77') was shown in the USA, France and West Germany whereas a longer version (85 to 87') was shown in Mexico and East Germany.
- ConexionesAlternate-language version of The Pearl (1948)
Reseña destacada
The Pearl is directed by Emilio Fernández and John Steinbeck co-adapts his own novella of the same name with Fernández and Jack Wagner. It stars Pedro Armendariz, María Elena Marqués, Fernando Wagner, Gilberto González, Juan García and Charles Rooner. Music is by Antonio Díaz Conde and cinematography by Gabriel Figueroa.
We are in La Paz, Mexico, and when Quino and Juana's son is stung by a scorpion the couple are anguished by not having the finances to pay for medical treatment. Hope springs eternal when Quino discovers a large pearl, something which is seemingly the answer to their prayers - is it?
What we basically have here is a morality play about the corruption of greed. Once the pearl of the title is discovered the ugliness of mankind rears its vile head. People around Quino and Juana - a homely honest but poor couple - suddenly have designs on the financial gains that the pearl can bring - with some of them willing to commit cardinal sins to achieve their aim. The pearl also begins to drive a wedge between the loving couple, and thus we are held enthral of the story to see exactly where this will all end up?
Though it's not very subtle in the telling, with Steinbeck's literary bent often as heavy as a sledgehammer, this is undeniably compelling stuff. That it's also a visual delight also considerably aids the viewing experience. Fernández and Figueroa bring truly atmospheric cinematography into play as a key character of the piece, with kinked frames and low level shots perfectly embracing the discord of the troubling human conditioning on view. Come 1947 what we would come to know as the film noir style of film making was in full effect, fans of such should for sure add The Pearl to their must seek out lists. 8/10
We are in La Paz, Mexico, and when Quino and Juana's son is stung by a scorpion the couple are anguished by not having the finances to pay for medical treatment. Hope springs eternal when Quino discovers a large pearl, something which is seemingly the answer to their prayers - is it?
What we basically have here is a morality play about the corruption of greed. Once the pearl of the title is discovered the ugliness of mankind rears its vile head. People around Quino and Juana - a homely honest but poor couple - suddenly have designs on the financial gains that the pearl can bring - with some of them willing to commit cardinal sins to achieve their aim. The pearl also begins to drive a wedge between the loving couple, and thus we are held enthral of the story to see exactly where this will all end up?
Though it's not very subtle in the telling, with Steinbeck's literary bent often as heavy as a sledgehammer, this is undeniably compelling stuff. That it's also a visual delight also considerably aids the viewing experience. Fernández and Figueroa bring truly atmospheric cinematography into play as a key character of the piece, with kinked frames and low level shots perfectly embracing the discord of the troubling human conditioning on view. Come 1947 what we would come to know as the film noir style of film making was in full effect, fans of such should for sure add The Pearl to their must seek out lists. 8/10
- hitchcockthelegend
- 26 jul 2019
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- How long is The Pearl?Con tecnología de Alexa
Detalles
- Duración1 hora 25 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was La perla (1947) officially released in Canada in English?
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