Elmer Gruñón se sale de una típica caricatura de Bugs Bunny, así que este se venga perturbando el sueño de Elmer con "pintura de pesadilla".Elmer Gruñón se sale de una típica caricatura de Bugs Bunny, así que este se venga perturbando el sueño de Elmer con "pintura de pesadilla".Elmer Gruñón se sale de una típica caricatura de Bugs Bunny, así que este se venga perturbando el sueño de Elmer con "pintura de pesadilla".
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
- Bugs Bunny
- (voz)
- …
- Elmer Fudd
- (voz)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesElmer tears up his contract with Warners and leaves. This cartoon was also the last made by Robert Clampett before he left Warners, though there were some others in the pipeline that came out later.
- PifiasAfter the dream, Elmer arrives back at the log in a rush and the pieces of contract blow about in the air. A nearly off-screen Bugs on the left looks like he mouthes his catchphrase: "Ehhhh, What's up Doc?", but there is no sound.
- Citas
Bugs Bunny: [trying to convince Elmer not to leave] No. No, doc. You can't do this to me. Think of what we've been to each other. Why, we've been like... like Rabbit and Costello, Damon and Runyon...
[tugs at Elmer's pants]
Bugs Bunny: Stan and Laurel...!
[rips them off accidentally]
Bugs Bunny: Uh-oh!
[He puts them back on]
Bugs Bunny: You can't do this, I tell ya. You don't want to break up the act, do ya?
[aside to audience]
Bugs Bunny: Bette Davis is gonna hate me for this.
[back to Elmer]
Bugs Bunny: Think of your career.
[turns back to audience, shocked]
Bugs Bunny: And for that matter, think of my career.
[breaks down in tears]
- Versiones alternativasOne version omits the scene where Bugs Bunny takes the sleeping pills (possibly an act of political correctness). This scene is left intact in the 2004 Looney Tunes 4-disc box set.
- ConexionesEdited from All This and Rabbit Stew (1941)
Above all, it's a good thing that I first saw this cartoon now, when I'm old enough to fully understand what it portrays (not to mention that I know who Bette Davis was). Had I watched this when I was six or somewhere thereabouts, I would have naively laughed at it without realizing what the gist was; or it might have scared me. As Looney Tunes screenwriter Michael Maltese said in an interview: "We wrote cartoons for grownups, that was the secret."
But overall, this is a really cool cartoon. Bob Clampett, during the approximately one decade that he worked with the Termite Terrace crowd, created a body of work beyond what I could have ever conceived of. I recommend it.
- lee_eisenberg
- 28 sept 2007
- Enlace permanente
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Detalles
- Duración7 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1