Simbad, el marino

"Sindbad the Sailor" is a lovely film to look at and it's obvious that RKO really pulled out all the stops to get this made. While this was a lesser studio in Hollywood, here they use nice garish 1940s Technicolor (the type classic movie fans love--despite its being very unrealistic), lavish sets and tons of costumes. It was obviously a prestige picture--and one on which the studio lavished a lot of attention. Because of this, it's odd that the dialog totally stank. All too often, people talked like they were either making speeches or doing an antiquated play--and in the process, the whole thing came off as stilted and silly. It's a shame, really, as I wanted to like this film a lot, but with B-movie writing, it only was mediocre.

In the lead was Douglas Fairbanks, Jr. and I assume he was chosen because of his father. Fairbanks, Sr. made a huge mark in the 1920s starring in fabulous action-adventure films like "The Thief of Bagdad" and "The Mark of Zorro" (among many others). His athleticism and wonderful screen presence must have played a huge part in their selecting his son for this 1947 film--especially since Fairbanks, Jr. was a very good actor but really was NOT known for this sort of film. However, despite being far less athletic than Dad, he was quite handsome and very good here...but his dialog....yecch! Overall, the film is an enjoyable escapist film with dialog that will make decent writers cry. The film has action, lovely sets, Maureen O'Hara (playing her rather clichéd petulant woman once again) and is pure escapism. But it plays like a B-movie with a great budget.