Lo mejor de la vida

A hit Broadway play, adapted by the playwright (and later turned into a hit musical); what more could you ask for? Well, for starters, you could ask that the premise, a love story set at the very predominantly Jewish summer camps that thrived in the Catskills from the 1920s into the 1970s, not have virtually every trace of Jewishness removed from it. We have one Jewish waiter here, and possibly a couple of older Jewish campers, and from there it's on to Ginger Rogers, Douglas Fairbanks Jr., Peggy Conklin, Lucille Ball, Lee Bowman, Eve Arden, and a very young, very annoying Red Skelton, whose two extended comedy routines land with a thud. That Rogers would even be living with her large family in that section of the Bronx strains credibility. They're pretty people, the summer-camp setting is pretty and convincing, and for a post-Code item, it's pretty frank about the sleeping-around that's going on, or at least suspected. Lucille, being built up by RKO, has some funny moments, and Eve, playing the "intellectual" camper (we can tell she's intellectual because she wears glasses), makes a great deal out of little. At a little over an hour, it speeds by, and Rogers, playing a not-very-nice heroine, at least is photographed lovingly. But the goy-izing of it kind of deprives it of any point.