Añade un argumento en tu idiomaThe team behind a successful Broadway production tries to stop the married stars from transitioning to Hollywood.The team behind a successful Broadway production tries to stop the married stars from transitioning to Hollywood.The team behind a successful Broadway production tries to stop the married stars from transitioning to Hollywood.
- Nominado para 2 premios Óscar
- 2 premios y 2 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThis was MGM's first full-length feature in three-strip Technicolor. As such, viewers can see the constant shift in quality between scenes, chiefly in the makeup, which often appears garish and overstated. One short year later, the process would be perfected in time for The Wizard of Oz (1939) and Gone With the Wind (1939).
- Citas
Felix Lehman: [Counting on Gwen and Ernest's gullibility] I'm an old man and I don't get many pleasures, but you go ahead. Just think about yourselves. Forget about me.
- Créditos adicionalesThe second of two credit titles for Victor Herbert reads "Immortal Melodies by Victor Herbert".
- ConexionesFeatured in Nelson and Jeanette (1993)
- Banda sonoraSweethearts
(1938) (uncredited)
Music by Victor Herbert (1913)
Lyrics by Bob Wright and Chet Forrest
Played during the opening credits and often in the score
Performed by Jeanette MacDonald and Nelson Eddy
Reprised by them for a radio broadcast with chorus
Later sung by MacDonald with Douglas McPhail and Eddy with Betty Jaynes
Reseña destacada
In glorious Technicolor,the stars are probably at their best,exceeding such romances as "New Moon","Rose Marie" and the others. Production values are enormous,beginning with a dance by Ray Bolger to a Dutch background heightened in color by beds of tulips.They are just enough not to be overwhelming. Jean and Nelson are the stars in the film of the sixth year of the stage production of Victor Herbert's 1913 show "Sweethearts" and are being done to death by the importunities of radio,recording,and family demands. Frank Morgan is his usual perplexed and harassed self as the stage producer,Herman Bing and Misha Auer are in top form as a mutually fighting conductor and wannabe playwright. One delightful vignette is during her modelling session at a dressmaker's shop,where she shows off the various colors and styles for different occasions. One gem is Eddy's race,pursued by speed cops,in a taxi from recording studio to NBC radio (looking much then as now) where Jeanette awaits him,having just broadcast Herbert's "Badinage" ably accompanied with much panache by Dalies Frantz.Some of her old Lubitsch (Director "Merry Widow"et al.) sassiness comes out as she mimes with the audience, until Eddy arrives, looking like a naughty schoolboy,with sleeve pulled up arm' amid her tidying of his appearance. One of the nicest shots is down the staircase at their home during the duet of "Little Gray home in the West",one of the most sincere performances. Herbert Stothart deserves much credit for his arrangement of Herbert's melodies,the duets and the delightful continuous orchestrations of the sound track. I would certainly watch this masterpiece several times.
- haustin-1
- 6 may 2003
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By what name was Enamorados (1938) officially released in Canada in English?
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