Añade un argumento en tu idiomaStarting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many s... Leer todoStarting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
- Al Jolson - Recreation of 'The Jazz Singer' Scene
- (as Mr. Al Jolson)
Argumento
¿Sabías que...?
- CuriosidadesThe scene in which Michael Connors steals the partially completed negative of Molly Adair's latest movie to prevent the studio from finishing it without her is based on a real-life incident involving Mickey (1918), Mack Sennett's 1918 feature-length production starring Mabel Normand. The director of the film, F. Richard Jones, was having a pay dispute with Sennett and stole the negative, refusing to give it back until he got the extra money he wanted. Sennett paid him, Jones finished the film, and it was one of the silent era's biggest hits.
- PifiasThis is another film that perpetuates the myth that studios abandoned silents almost immediately after "The Jazz Singer" opened. In fact, it WAS regarded as a fluke. It would be many months before studios realized that talkies weren't going away, and it wasn't until 1930 that production of silents finally ceased, save an occasional outlier like "City Lights" and "Tabu.
- Citas
Dave Spingold: [to Molly] It'll be chiseled on my tombstone - Dave Spingold - Schlemiel.
- ConexionesFeatured in Take It or Leave It (1944)
The romance in Hollywood Cavalcade is predictable, but still manages to be sweet and tragic. It's obvious to the audience that Don cares, and when Alice confronts him, he shows off his acting chops in a wonderfully dramatic scene. His character is extremely strong, stubborn, and prideful, but he gives enough humanity in his performance to make the audience root for him unconditionally. In contrast, Alice comes across as flaky and weak, but since Don's the protagonist, it's alright.
The other half of Hollywood Cavalcade shows what it's like to be in the business. Here today, gone tomorrow, and all at the whim of the audience and the studio. Several silent legends gave cameos and received a special thank-you during the opening credits-Buster Keaton, Lee Duncan, Chester Conklin, Ben Turpin, Hank Mann, Jed Prouty, Snub Pollard, and Al Jolson-and it was sweet to see them reliving their heydays. And when talking pictures come, Don delivers an incredible monologue about the power of sound in films. "They were looking at shadows on the screen, only they weren't shadows anymore," he describes. I'm sure audiences of 1939 remembered how they felt in 1929 during that speech.
All in all, this is a very good movie, but generally overlooked because of the year it was released. If you're looking for a better, more dramatic version of Singin' in the Rain, check this one out.
- HotToastyRag
- 25 ene 2019
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Holivudska kavalkada
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.000.000 US$ (estimación)
- Duración1 hora 37 minutos
- Relación de aspecto
- 1.33 : 1