El gorila

I'm not sure what I'd name this film. It was probably named "The Ape" to bring in crowds - thoughts of an ape gone rogue and Boris Karloff creeping about would do so in 1940. Dr. Bernard Adrian (Karoloff) is introduced immediately. He is visiting a girl, Frances, who is paralyzed on what would have been Adrian's daughter's 18th birthday. Both his daughter and wife were lost in an epidemic of what is called "paralysis". It is probably polio, but the disease is never named. The girl is like a second daughter to Adrian, and she has a beau, the rather simple but kindly Danny.

A local circus goes up in flames and an ape belonging to the circus is on the loose. The ape badly injures his cruel trainer/keeper in the process of escaping and the trainer is brought to Dr. Adrian. Adrian figures the man is going to die anyways, and uses his spinal fluid in a serum he is concocting to help Frances and other paralytics walk again.

There are several mysteries going on here. The ape only seems to kill people who are evil - you are given a scene in which each of his victims does something awful. How does the ape know? Plus the ape is hanging around the doctor's house. Why?? Also, in one scene the ape is said to be killed but is shown walking about later, still on a mad spree. How?

Is this all just bad editing? Why are chronically ill young people always shown as so patient and kind in these B films? Will the doctor push the boundaries of medicine too far and have Frances remove the blanket on her legs to reveal hairy ape legs? If so will Danny make a run for it? Watch and find out the ridiculous ending.

This film is five out of ten just because of Karloff. He creeps up the atmosphere and adds depth to just about any character he plays. Everybody else in the cast is just a cardboard cutout next to him. It makes me wonder why he even did this film. Probably for Karloff completists only.