Añade un argumento en tu idiomaWhile on vacation in Mexico, Goofy unwittingly volunteers for a bullfight.While on vacation in Mexico, Goofy unwittingly volunteers for a bullfight.While on vacation in Mexico, Goofy unwittingly volunteers for a bullfight.
Xavier Atencio
- Villagers
- (sin acreditar)
Al Bertino
- Villagers
- (sin acreditar)
Bruce Bushman
- Villagers
- (sin acreditar)
Pinto Colvig
- Goofy
- (voz)
- (sin acreditar)
Joaquin Garay
- Radio Announcer
- (voz)
- (sin acreditar)
- …
James MacDonald
- Bull
- (sin acreditar)
Brice Mack
- Villagers
- (sin acreditar)
Dan MacManus
- Villagers
- (sin acreditar)
Mario Marion
- Villagers
- (sin acreditar)
Bud Partch
- Villagers
- (sin acreditar)
Bea Tamargo
- Villagers
- (sin acreditar)
Toni Varescu
- Villagers
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe title is a reference to Ernest Hemingway's story For Whom the Bell Tolls
- Citas
[Goofy has been dressed up in a matador outfit and goes out into a bullring. He sees a newspaper headline showing him, reading "El Goof Matador"]
Goofy: Matador? Hmm. A bullfighter?
[suddenly, the truth hits him; shocked]
Goofy: A fighter of the bulls? *Me*? Oh, no!
[he runs from the ring - and into the bull stable]
- Versiones alternativasThe scene where the Mexicans are looking at Goofy who is trying to shoo the bull away and cheering him have been censored as well as the scene where the Mexicans are talking on the phone to each other.
- ConexionesEdited from El toro Ferdinando (1938)
Reseña destacada
A Walt Disney GOOFY Cartoon.
Hapless tourist Goofy finds himself facing the meanest toro in all of Old Mexico.
This gentle spoof of bullfighting has plenty of chuckles as the Goof continues to get himself into increasingly dangerous difficulties. Although Goofy emerges triumphant, he appears to be literally `cowed' by the sight of a bovine henceforth. It is interesting to compare this short with Disney's classic FERDINAND THE BULL (1938).
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
Hapless tourist Goofy finds himself facing the meanest toro in all of Old Mexico.
This gentle spoof of bullfighting has plenty of chuckles as the Goof continues to get himself into increasingly dangerous difficulties. Although Goofy emerges triumphant, he appears to be literally `cowed' by the sight of a bovine henceforth. It is interesting to compare this short with Disney's classic FERDINAND THE BULL (1938).
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
- Ron Oliver
- 22 sept 2003
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Duración6 minutos
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was For Whom the Bulls Toil (1953) officially released in Canada in English?
Responde