La mujer y el monstruo

"Creature from the Black Lagoon" is the quintessential 1950s monster movie. It's got a bathing beauty in the form of Julie Adams, whose character has a seemingly never-ending supply of impractical swimwear for a trek into the heart of the Amazon. Richard Carlson and Richard Denning give us some good old-fashioned 50s beefcake and spend most of the film running around with their shirts off. And, like the best monster movies from this time period, it can be taken straight or interpreted as being full of all sorts of sexual and gender subtext. You know, the men always comparing the size of their harpoons, the woman being pretty much useless and only there to be saved, the creature representing some kind of forbidden sexual fantasy.

This is a sexy movie, too. Everyone's always wet, there are all these scenes of Julie Adams and the creature swimming together in the water with him almost but never quite stroking her body, the men seem as anxious to hop in the sack with each other as either does the girl. It's a lot of fun, but leave your 2019 sensibility at the door in order to fully enjoy.

And as others have said, the creature itself looks amazing. Whenever there's a close up of its face, it really looks like it has fish eyes and gills and never looks like a man in a fish costume. The whole movie looks really good, actually, probably because there was some serious talent behind the camera, which surprised me for such a low-budget movie. William Snyder handled the cinematography, Ted Kent the editing, and Hilyard Brown and Bernard Herzbrun the art direction, all of them men who had been nominated for or won Oscars in the past for other things.

Of all the monster movies I've seen, this is easily one of the best.

Grade: A-