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Añade un argumento en tu idiomaA samurai travels to Edo with his two servants. On their way, they meet many people and encounter great injustice.A samurai travels to Edo with his two servants. On their way, they meet many people and encounter great injustice.A samurai travels to Edo with his two servants. On their way, they meet many people and encounter great injustice.
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- CuriosidadesThe career of the director of this film, Tomu Uchida, was in a very serious trouble at the time he made it. One of the most prominent Japanese filmmakers of the prewar period, Uchida, after failing to set up his own production company in the early 1940s, went to work for the Manchukuo Film Association in wartime occupied Manchuria, planning a film project that was never realized. After the war, he chose to remain for many years in China rather than return to Japan, apparently hoping in vain to make a film there. Thus, he did not return to Japan until late 1953, eight years after the end of the war and more than a decade after the release of his most recent film. However, his filmmaking friends from prewar days rallied round to help him return to the Japanese film industry. Uchida signed a contract with a new film studio, Toei, and was given this film as his first project, though it had originally been intended for Uchida's old friend Hiroshi Shimizu to direct. (Shimizu, along with Yasujirô Ozu and Daisuke Itô, were officially credited as "advisors to the production.") His comeback film turned out to be a big critical and commercial hit, and Uchida's postwar career was successfully launched.
- PifiasNear the end of the movie, a barrel of some liquid was pierced by a spear. The barrel keeps spilling liquid for several minutes, but does not have enough volume to hold that much liquid.
- ConexionesRemake of Dochu hiki (1927)
Reseña destacada
Chiyari Fuji AKA A Bloody Spear on Mount Fuji, Bloody Spear at Mount Fuji - 94 min
As decisively as Kurosawa before him, Tomu Uchida broke the conventions of the chambara or swordfight film with his witty, loose-limbed A Bloody Spear at Mount Fuji, about a young samurai, Shojuro Sako, delivering a teacup to Edo. Travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro's mother to prevent his Master from drinking. The road is not safe. On the way, they meet a young orphan boy, Jiro, and many other travellers. It's an affable samurai road movie with a focus on unglamorus characters, such as the dim-witted young samurai and his two loyal servants traverse the Tokaido highway.
Bloody Spear marks Uchida's postwar return to Japanese cinema and to progressive principles, but this homecoming is markedly ambivalent in its values.
From its shambling "on the road" opening, scored with jaunty jazz and marked by a flagrantly artificial setting and proliferation of incident, to its Shane-like ending, the film takes in a remarkable range of characters and classes, tones and traditions. Its narrative has a peculiar stalling quality, as though Uchida were determined to suspend the expectations of the samurai film by deferring the violence forever.
Full of subplots and spin-offs, scatology, sentimentality, and social satire, this simple tale becomes a sprawling epic whose culmination-a fight to the death among gushing sake barrels-shocked Japanese audiences of its time with its sheer.
A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film.
Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
A very down-to-earth without the stereotyped and the traditional glorification of the Samurai but full of colorful common decent kind people, thief, blind massageur, poor father selling his beautiful daughter to be prostitute, woman doing the road shows with her young daughter, an orphan who dreams to be a samurai lancer....
HIGHLY RECOMMENDED!
As decisively as Kurosawa before him, Tomu Uchida broke the conventions of the chambara or swordfight film with his witty, loose-limbed A Bloody Spear at Mount Fuji, about a young samurai, Shojuro Sako, delivering a teacup to Edo. Travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro's mother to prevent his Master from drinking. The road is not safe. On the way, they meet a young orphan boy, Jiro, and many other travellers. It's an affable samurai road movie with a focus on unglamorus characters, such as the dim-witted young samurai and his two loyal servants traverse the Tokaido highway.
Bloody Spear marks Uchida's postwar return to Japanese cinema and to progressive principles, but this homecoming is markedly ambivalent in its values.
From its shambling "on the road" opening, scored with jaunty jazz and marked by a flagrantly artificial setting and proliferation of incident, to its Shane-like ending, the film takes in a remarkable range of characters and classes, tones and traditions. Its narrative has a peculiar stalling quality, as though Uchida were determined to suspend the expectations of the samurai film by deferring the violence forever.
Full of subplots and spin-offs, scatology, sentimentality, and social satire, this simple tale becomes a sprawling epic whose culmination-a fight to the death among gushing sake barrels-shocked Japanese audiences of its time with its sheer.
A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film.
Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
A very down-to-earth without the stereotyped and the traditional glorification of the Samurai but full of colorful common decent kind people, thief, blind massageur, poor father selling his beautiful daughter to be prostitute, woman doing the road shows with her young daughter, an orphan who dreams to be a samurai lancer....
HIGHLY RECOMMENDED!
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- 4 ene 2021
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Bloody Spear at Mount Fuji
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was Lanza ensangrentada en el monte Fuji (1955) officially released in India in English?
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