PUNTUACIÓN EN IMDb
8,4/10
6,3 mil
TU PUNTUACIÓN
Un hombre lucha inútilmente por hacer fortuna con una rana que canta y baila, pero solo cuando está a solas con su dueño.Un hombre lucha inútilmente por hacer fortuna con una rana que canta y baila, pero solo cuando está a solas con su dueño.Un hombre lucha inútilmente por hacer fortuna con una rana que canta y baila, pero solo cuando está a solas con su dueño.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio en total
William Roberts
- Michigan J. Frog
- (doblaje en canto)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe song "Michigan Rag" was invented solely for this short.
- PifiasWhen the owner of the frog gets thrown out of the talent agency, there's a hand-print on the wall to the side of the door he is thrown from. In the next shot it's gone.
- Citas
Michigan J. Frog: [singing] Hello, my baby / hello, my honey / hello, my ragtime gal. / Send me a kiss by wire / baby, my hearts on fire / if you refuse me / honey, you'll lose me / then you'll be left alone / Oh baby, telephone and tell me I'm your own.
- Versiones alternativasIn some TV airings, the scene in which the workman places the "Free Beer!" sign outside the theater to attract customers is deleted.
- ConexionesFeatured in El sexo que habla (1977)
Reseña destacada
You know, I would virtually tell everyone to watch EVERY short that Chuck Jones and Michael Maltese collaborated on. They are icons in creating some of the best storytelling animation in our time. EVERYONE looking to get into screen writing or story board writing should study their storytelling. But the two most important ones, the first ones that everyone should watch when beginning their curiosity should be Feed the Kitty, which inspired Joe Dante and Chris Columbus, and this short, One Froggy Evening, which influenced Steven Spielberg.
A laborer at a demolition site discovers a frog that can sing and dance. Seeing a world of opportunity, he leaves, and gets more than he ever bargained for.
There are too many elements in this short to count. But it's great. The frog doesn't even need to sing for you to appreciate the hilarity of it all. But if you do listen to the frog, I guarantee you at one point in your life you will sing that song in your head. When people at my work ask me to try to tune out some song in their head, I pop out, "Hello My Baby," or, "Michigan Rag." They end up having one of those songs permanently stuck in their head. Try it! You'll go through work faster and have a good memory stuck in your head. And if you haven't watched this cartoon, I suggest you find it. Now.
A laborer at a demolition site discovers a frog that can sing and dance. Seeing a world of opportunity, he leaves, and gets more than he ever bargained for.
There are too many elements in this short to count. But it's great. The frog doesn't even need to sing for you to appreciate the hilarity of it all. But if you do listen to the frog, I guarantee you at one point in your life you will sing that song in your head. When people at my work ask me to try to tune out some song in their head, I pop out, "Hello My Baby," or, "Michigan Rag." They end up having one of those songs permanently stuck in their head. Try it! You'll go through work faster and have a good memory stuck in your head. And if you haven't watched this cartoon, I suggest you find it. Now.
- Rex_Stephens
- 25 may 2005
- Enlace permanente
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 14.753 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.285 US$
- 16 feb 1998
- Recaudación en todo el mundo
- 14.753 US$
- Duración7 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
What is the French language plot outline for ¡Ay, qué rana! (1955)?
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