La rosa tatuada

Tennessee Williams was a good friend of Anna Magnani, the great Italian screen star. It was with her in mind he wrote "The Rose Tattoo", but she never played it in the theater because she didn't feel too comfortable, at the time, in doing the play in English.

Anna Magnani was born to play Serafina; she smolders the screen every time we see her. She is the sole reason for watching the film. Daniel Mann miscalculated in the adaptation, by Hal Kanter, of the play he had directed on Broadway, and it shows. The basic failure is that he made the character of Alvaro Mangiacavallo into a buffoon. Burt Lancaster seems to have been directed to go for laughs rather than being the sensual man he is in the play. He must awaken Serafina from the self imposed mourning she is experiencing at the time they meet.

"The Rose Tattoo" has a Greek tragedy feeling. Watch Serafina at the beginning of the film shopping at the grocery store among the neighborhood women. Later, the same thing happens. At the most dramatic moments, the chorus comes to surround Serafina; it's a ploy to make her react to them and vent her anger at the ignorant women who are her neighbors and clients, but not her real friends.

Serafina is a dignified woman who is still living back in Sicily, even though she is now in New Orleans. Her daughter rebels against her mother, who can't understand the American ways. When her husband Rosario dies, her whole world falls apart. Rosario has been the only man in her life and she wants to stay at home and not face reality, until the appearance of Alvaro, who manages to win her over with his simple ways.

Anna Magnani gives a performance that is larger than life.