Una abeja está volando entre las flores cuando se da cuenta de que hay un verdadero paraíso de flores en el papel pintado que Donald está colgando.Una abeja está volando entre las flores cuando se da cuenta de que hay un verdadero paraíso de flores en el papel pintado que Donald está colgando.Una abeja está volando entre las flores cuando se da cuenta de que hay un verdadero paraíso de flores en el papel pintado que Donald está colgando.
- Dirección
- Guión
- Reparto principal
- Spike the Bee
- (sin acreditar)
- Donald Duck
- (voz)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe working title for this cartoon was 'Bees in Your Plants".
- PifiasWhen Spike the Bee orders his bee friends inside Donald's house, he tells them to sting him one by one on his rear end. If over a hundred bees stung Donald Duck, he would suffer badly and eventually die from bee stings.
- Citas
Donald Duck: Huh! Squawk!
[Donald looks behind and sees Spike the Bee trying to sting at his rear end, but Donald Duck moves and the Bee slides on the glue of wallpaper and gets stuck on it]
Donald Duck: Oh haven't had enough eh?
[Donald Duck grabs the end of the wallpaper with his hands and shakes it. Then Spike the bee tires to fly out of the glue by lifting the wallpaper]
Donald Duck: Oh no you don't!
[Donald Duck pulls hard at the wall but Spike the Bee finally frees himself of the wallpaper and it causes Donald Duck with the wallpaper to bounce up real hard at the ceiling with his hands glued in the wallpaper on the ceiling. Donald Duck is hanging on the ceiling with his hands stuck in wallpaper]
Donald Duck: Squawk! Hey! What the heck is going on here? Squawk!
[Spike the Bee files over to Donalds Beak, he walks up to Donalds head before getting tripped by his eyelids. he then gets ready to sting Donalds feathery butt and Donald Duck sweats]
INFERIOR DECORATOR Donald starts the trouble when he immures an innocent bee in sticky wallpaper paste.
This funny little film was the screen debut for Buzz-Buzz the bee; he would appear in several Disney cartoons with the Duck as his main antagonist. The tune played & hummed throughout is Felix Mendelssohn's Spring Song. Clarence Nash provides Donald with his unique voice.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
- Ron Oliver
- 16 jun 2003
- Enlace permanente
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Detalles
- Duración6 minutos
- Relación de aspecto
- 1.37 : 1