After a fast start, this western settles into what amounts to a plot-heavy gab fest. I'm afraid fans expecting hard-riding, fast-shooting, or scenic horizons, are going to be disappointed. Not that everything is downside. No western with the great Randy Scott can be overlooked; also, perennial bad guy Victor Jory gets to essay a good guy, for a change. And, I really like Bill Williams as a boyishly unlikely gunsel. Then add pudgy, squinty-eyed Barry Kelley as the lead black hat, and it's a fine cast.
Too bad indie producer Nat Holt apparently spent everything on casting since it left him little for filming outside of studio sets. This results in a basically 'indoor' western with some action in the streets. Maybe that's the result of adapting Gruber's novel to the screen and leaving little out. So you may need a scorecard to keep up with all the characters and plot developments.
One thing to notice— how county officials are really being shown as in on the graft. I love that scene where justice of the peace (Williams) gouges penalty money out of anyone who dares speak up and then splits it up with his cronies. That's certainly no western cliché. All in all, the movie's long on complex story but short on traditional outdoor visuals. Still, even here, no one looks more the western hero than the iron-jawed Scott.
