PUNTUACIÓN EN IMDb
7,2/10
13 mil
TU PUNTUACIÓN
Frank Bigelow, al que le han dicho que ha sido envenenado y que solo le quedan unos días de vida, intenta averiguar quién lo mató y por qué.Frank Bigelow, al que le han dicho que ha sido envenenado y que solo le quedan unos días de vida, intenta averiguar quién lo mató y por qué.Frank Bigelow, al que le han dicho que ha sido envenenado y que solo le quedan unos días de vida, intenta averiguar quién lo mató y por qué.
- Premios
- 1 premio en total
Beverly Garland
- Miss Foster
- (as Beverly Campbell)
Cay Forester
- Sue
- (as Cay Forrester)
Frank Jaquet
- Dr. Matson
- (as Fred Jaquet)
Lawrence Dobkin
- Dr. Schaefer
- (as Larry Dobkin)
Bill Baldwin
- St. Francis Hotel Desk Clerk
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe scene in which Bigelow runs in panic through the streets after learning he has been poisoned was what is considered a 'stolen shot' where the pedestrians along the sidewalk had no idea a movie was being made and no warning that Edmond O'Brien would be plowing through them.
- PifiasAfter finding out who's in the photo, Bigelow leaves the photography studio and immediately starts getting shot at. He heads toward the factory (screen right) where the shots are supposed to be coming from, but all the shots being fired and ricocheting off the ground, pipe, barrel, etc. are coming from the other direction (screen left).
- Citas
[first lines]
Homicide Detective: Can I help you?
Frank Bigelow: I'd like to see the man in charge.
Homicide Detective: In here...
Frank Bigelow: I want to report a murder.
Homicide Captain: Sit down. Where was this murder committed?
Frank Bigelow: San Francisco, last night.
Homicide Captain: Who was murdered?
Frank Bigelow: I was.
- Créditos adicionalesThe end credits read "The medical facts in this motion picture are authentic. Luminous toxin is a descriptive term for an actual poison. Technical Adviser, Edward F. Dunne, M.D."
- Versiones alternativasAlso available in a colorized version.
- ConexionesEdited into Déjà-vu (2000)
Reseña destacada
Great B-movie film noir, played as if his life depended on it (and it does) by Edmond O'Brien as a small-town notary who pays a big price for signing the wrong document at the wrong time, turning what should have been a pleasure trip to the west coast into a murderous affair altogether.
It starts with a bang, O'Brien staggering into the local homicide unit to tell the cops that there's been a murder - his, before launching into the massive flash-back which takes up pretty much the rest of the movie. The action from there on is hectic and as convoluted as all the best noirs are as O'Brien, infected by a deadly poison, races against the clock to track down his own killer and the reason behind it.
The film makes fine use of actual San Francisco and Los Angeles locations as well as authentically depicting the hot and steamy atmosphere at a Frisco jazz club. O'Brien is great as the doomed Bigelow, racing, often literally, against the clock, stopping only to palm off his adoring secretary girl-friend, Pamela Britten, who of course doesn't find out what's wrong with him until too late.
The pacing is almost non-stop once it gathers momentum, unfortunately when it does, some of the scene-writing gets over-ripe and correspondingly over-acted as O'Brien and his girl pour out their hearts somewhat unnecessarily. The film ends bravely though with a downbeat conclusion, delivering what the title says it must and at least tying up all the loose ends by that time.
It starts with a bang, O'Brien staggering into the local homicide unit to tell the cops that there's been a murder - his, before launching into the massive flash-back which takes up pretty much the rest of the movie. The action from there on is hectic and as convoluted as all the best noirs are as O'Brien, infected by a deadly poison, races against the clock to track down his own killer and the reason behind it.
The film makes fine use of actual San Francisco and Los Angeles locations as well as authentically depicting the hot and steamy atmosphere at a Frisco jazz club. O'Brien is great as the doomed Bigelow, racing, often literally, against the clock, stopping only to palm off his adoring secretary girl-friend, Pamela Britten, who of course doesn't find out what's wrong with him until too late.
The pacing is almost non-stop once it gathers momentum, unfortunately when it does, some of the scene-writing gets over-ripe and correspondingly over-acted as O'Brien and his girl pour out their hearts somewhat unnecessarily. The film ends bravely though with a downbeat conclusion, delivering what the title says it must and at least tying up all the loose ends by that time.
- Lejink
- 12 abr 2011
- Enlace permanente
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Detalles
- Duración1 hora 23 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Con las horas contadas (1949) officially released in India in English?
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