Un guionista es contratado para reescribir el guion de una estrella de cine mudo en decadencia y acaba desarrollando una peligrosa relación.Un guionista es contratado para reescribir el guion de una estrella de cine mudo en decadencia y acaba desarrollando una peligrosa relación.Un guionista es contratado para reescribir el guion de una estrella de cine mudo en decadencia y acaba desarrollando una peligrosa relación.
- Ganó 3 premios Óscar
- 21 premios y 20 nominaciones en total
Larry J. Blake
- 1st Finance Man
- (as Larry Blake)
Fred Aldrich
- Cop Who Drags Joe's Body from Pool
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesUnlike the character she played, Gloria Swanson had accepted the fact that the movies didn't want her anymore and had moved to New York, where she worked on radio and, later, television. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead.
- PifiasWhen Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". After the Roscoe 'Fatty' Arbuckle trial and the subsequent establishment of the Hays Office to enforce the new Production Code, the producers were concerned that the original age of 14 would be considered child porn and had the line changed in post.
- Citas
Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
Norma Desmond: Get out! Or shall I call my servant?
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
Norma Desmond: I *am* big. It's the *pictures* that got small.
- Créditos adicionalesThe Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
- ConexionesEdited into Les Amoureux du cinéma (1987)
- Banda sonoraThe Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
Reseña destacada
Sunset Blvd. could be looked at as a thesis on what fame does to certain people. For Norma Desmond, fame created a fantasy world that forever trapped her. Living alone in that giant house on Sunset, save for her servant Max, Norma whiles away the hours planning her magnificent return. Her fame kept alive by fan letters, and her hope of return kindled by Joe Gillis. For Norma, there is no other life than standing before cameras and acting out lives of characters that are larger than life. Of course, no one knows who Norma Desmond is. Gloria Swanson gives a magnificent performance. She runs from melancholy, to unbridled joy, to complete mental breakdown. William Holden is the ultimate cynic. He plays Norma like a fiddle but gets ensnared in her web of decaying glory. In the end, Joe pays the price for enduring Norma's insanity. As she descends that staircase in the final scene, you can see that she is completely lost in her own world. A world where no one grows old, where she is forever young, and where she is the greatest star of them all. After all, stars never age.
- bat-5
- 3 ago 1999
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- El ocaso de una vida
- Localizaciones del rodaje
- 10060 Sunset Blvd, Los Ángeles, California, Estados Unidos(Norma Desmond's driveway gate)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.752.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 299.645 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 169.067 US$
- 13 may 2018
- Recaudación en todo el mundo
- 309.467 US$
- Duración1 hora 50 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
What was the official certification given to El crepúsculo de los dioses (1950) in Japan?
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