Los vecinos de una familia de la frontera se vuelven contra ellos cuando se sospecha que su hija adoptiva fue robada a la tribu kiowa local.Los vecinos de una familia de la frontera se vuelven contra ellos cuando se sospecha que su hija adoptiva fue robada a la tribu kiowa local.Los vecinos de una familia de la frontera se vuelven contra ellos cuando se sospecha que su hija adoptiva fue robada a la tribu kiowa local.
Argumento
¿Sabías que...?
- CuriosidadesBefore filming began, director John Huston and star Burt Lancaster took actress Lillian Gish out to the desert to teach her how to shoot, which she would have to do in the film. However, Huston was astounded to discover that Gish could shoot more accurately, and faster, than both he and Lancaster, who thought themselves expert marksmen. It turned out that early in her career Gish was taught how to shoot by notorious western outlaw and gunfighter Al J. Jennings, who had become an actor after his release from a long prison sentence for train robbery and was in the cast of one of her films. She found that she liked shooting and over the years had developed into an expert shot.
- PifiasWhen Rachel goes riding bareback and first sees the old soldier, the cinch holding a saddle on is clearly visible as she sits on the horse talking.
- Citas
Andy Zachary: What did he want, Ben?
Ben Zachary: He wanted to buy a woman.
[looks at Rachel]
Ben Zachary: You.
Rachel Zachary: Well, did you sell me?
Ben Zachary: I held out for more horses.
Rachel Zachary: Why would they want to buy me?
Mattilda Zachary: Because you're a girl, my pretty. Horses and women are all the same to a Kiowa - to be bought or traded.
- ConexionesFeatured in The 43rd Annual Academy Awards (1971)
- Banda sonoraDown in the Valley
(uncredited)
Traditional
Sung by June Walker and Kipp Hamilton
[Hagar and Georgia sing the song at the Zachary/Rawlins lunch]
John Huston's "The Unforgiven" is a flawed, but excellent film. It does seem like some positive thesis regarding race relations - explicitly "Injuns" / implicitly others - was being attempted. But, however well-meaning the project started out, the end result is a negative. All was lost, for me, the moment Mr. Lancaster orders young Mr. McClure to make a pivotal killing. That doesn't mean the movie isn't exciting or aesthetically appealing. Hepburn's authenticity should invite no criticism; remember, she is supposed to be fooling even Mr. Murphy's keen sense of "Injun" smell; yet, she sounds too liltingly "finishing school" sophisticated for the role.
As good as he is, Lancaster doesn't really command the film's attention, either. He and Hepburn are saddled (sorry) with a love story subplot dependent upon the characters being aware they are not really brother and sister, and Hepburn being ready for action. This goes nowhere. There are several other great performers in the cast, but the film belongs to the "Zachary" family members. McClure as Lancaster's wide-eyed younger brother is nicely cast. But, the real energy comes from the characters played by Gish and Murphy; both have a couple of great cinematic moments, though, like others involved here, they had off-screen problems during the filming.
******* The Unforgiven (4/6/60) John Huston ~ Burt Lancaster, Audrey Hepburn, Lillian Gish, Audie Murphy
- wes-connors
- 22 may 2010
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Detalles
Taquilla
- Presupuesto
- 5.000.000 US$ (estimación)
- Duración2 horas 5 minutos
- Color
- Relación de aspecto
- 2.35 : 1