PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Un documental sobre las vidas de parisinos ordinarios, filmado en el estilo "cinéma vérité".Un documental sobre las vidas de parisinos ordinarios, filmado en el estilo "cinéma vérité".Un documental sobre las vidas de parisinos ordinarios, filmado en el estilo "cinéma vérité".
- Premios
- 1 premio en total
Marceline Loridan Ivens
- Self
- (as Marceline)
Marilù Parolini
- Self
- (as Mary Lou)
Jean-Pierre Sergent
- Self
- (as Jean-Pierre)
Jacques Gautrat
- Self - un ouvrier
- (as Jacques)
Régis Debray
- Self - un étudiant
- (as Régis)
Nadine Ballot
- Self
- (as Nadine)
Modeste Landry
- Self - un étudiant africain
- (as Landry)
Jacques Gabillon
- Self - un employé
- (as Jacques)
Simone Gabillon
- Self - une employée
- (as Simone)
Argumento
¿Sabías que...?
- CuriosidadesThe 6th greatest documentary of all time according to the 'Sight & Sound' poll 2014. The list was compiled after polling from over 200 critics and curators and 100 filmmakers.
- Citas
Sophie - the cover-girl: People are bored everywhere now. But boredom comes from within. If you've got an inner life, you're never bored.
- ConexionesFeatured in Les échos du cinéma: Episodio #1.23 (1961)
Reseña destacada
Often cited as one of the greatest documentaries ever made Jean Rouch and Edgar Morin's "Chronicles of a Summer" takes a look at the lives of of ordinary Parisiennes over the course of the summer of 1960. It was filmed in a 'cinema vertie' style, using the people who appear as if they were actors 'acting out' their lives. There is no voice-over; their technique is to use interviews or simply silently film these people going about their business. What distinguishes this extraordinary film from others of its kind is that this is a work both sociological and deeply political, a piece of social history in which Africans are side-lined and homosexuality never mentioned.
Rouch and Morin pick and choose their subjects, mostly workers, students and intellectuals, and back them into a corner where the politics of the proletariat becomes the benchmark. These people talk fearlessly about their treatment by the State and the drugery of their daily routine with white Parisiennes oblivious to their inherent racism.
The film-makers fundamental question is, 'Are you happy?' Initially two women interview people on the street asking them if they are happy and as the film progresses this becomes its focal point while the level of intimacy Rouch and Morin achieves is extraordinary. Theirs is a technique other film-makers have used many times since, perhaps more skillfully as film-making has become more sophisticated but this masterpiece remains the granddaddy of them all. Unmissable.
Rouch and Morin pick and choose their subjects, mostly workers, students and intellectuals, and back them into a corner where the politics of the proletariat becomes the benchmark. These people talk fearlessly about their treatment by the State and the drugery of their daily routine with white Parisiennes oblivious to their inherent racism.
The film-makers fundamental question is, 'Are you happy?' Initially two women interview people on the street asking them if they are happy and as the film progresses this becomes its focal point while the level of intimacy Rouch and Morin achieves is extraordinary. Theirs is a technique other film-makers have used many times since, perhaps more skillfully as film-making has become more sophisticated but this masterpiece remains the granddaddy of them all. Unmissable.
- MOscarbradley
- 3 ago 2018
- Enlace permanente
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- How long is Chronicle of a Summer?Con tecnología de Alexa
Detalles
- Duración1 hora 25 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was Crónica de un verano (1961) officially released in India in English?
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