PUNTUACIÓN EN IMDb
7,7/10
13 mil
TU PUNTUACIÓN
En la Italia de la Segunda Guerra Mundial, una viuda y su solitaria hija tratan de poner distancia entre ellas y los horrores de la guerra.En la Italia de la Segunda Guerra Mundial, una viuda y su solitaria hija tratan de poner distancia entre ellas y los horrores de la guerra.En la Italia de la Segunda Guerra Mundial, una viuda y su solitaria hija tratan de poner distancia entre ellas y los horrores de la guerra.
- Ganó 1 premio Óscar
- 11 premios y 3 nominaciones en total
Jean-Paul Belmondo
- Michele Di Libero
- (as Jean Paul Belmondo)
Argumento
¿Sabías que...?
- CuriosidadesSophia Loren claims that Director Vittorio De Sica, so caught up in the story, regularly cried on the set when filming particularly emotional scenes.
- PifiasNear the beginning, Cesira and Rosetta choose to walk rather than wait aboard their stranded train. However, they set off in the opposite direction to the train's destination.
- Citas
[subtitled version]
English Soldier: There are lots of good things in Italy.
Michele Di Libero: You don't know Italy.
English Soldier: Oh, we know Leonardo da Vinci, Michelangelo.
Michele Di Libero: They are dead.
- ConexionesEdited into Al Centro del cinema (2015)
Reseña destacada
A unique film about the ravages of World War II, told specifically from the point of view of an Italian woman and her young daughter.
The woman is Sophia Loren, and she won the first ever Oscar given for a foreign language performance in this film. She plays Cesira, a spitfire who is blithely indifferent to Italy's role in the war until the horrors of it hit home in deeply personal ways when she and her daughter leave bomb-addled Rome to trek across the Italian countryside to wait out the fighting. Most WWII films are told from the point of view of the men in combat or the women who wait at home patiently for them, letting their commitment to the cause be their solace. Few films are told from the point of view of women on the wrong side of the conflict (as we've been taught) who don't much care who wins or loses as long as their lives are left untouched. One would be justified in thinking that Loren's character is either selfish or naive, or both, but one would have to be inhuman not to feel compassion for what happens to her and her daughter.
Loren was known as nothing but a sex kitten at the time of this film's release, and director Vittorio De Sica uses this to his advantage. Her Cesira is a woman who's used to being alluring to men and isn't above wielding her sexuality when it might work to her advantage. But Loren goes far beyond sex kitten in this film, to something nuanced and ultimately heartbreaking.
Grade: A
The woman is Sophia Loren, and she won the first ever Oscar given for a foreign language performance in this film. She plays Cesira, a spitfire who is blithely indifferent to Italy's role in the war until the horrors of it hit home in deeply personal ways when she and her daughter leave bomb-addled Rome to trek across the Italian countryside to wait out the fighting. Most WWII films are told from the point of view of the men in combat or the women who wait at home patiently for them, letting their commitment to the cause be their solace. Few films are told from the point of view of women on the wrong side of the conflict (as we've been taught) who don't much care who wins or loses as long as their lives are left untouched. One would be justified in thinking that Loren's character is either selfish or naive, or both, but one would have to be inhuman not to feel compassion for what happens to her and her daughter.
Loren was known as nothing but a sex kitten at the time of this film's release, and director Vittorio De Sica uses this to his advantage. Her Cesira is a woman who's used to being alluring to men and isn't above wielding her sexuality when it might work to her advantage. But Loren goes far beyond sex kitten in this film, to something nuanced and ultimately heartbreaking.
Grade: A
- evanston_dad
- 15 ago 2018
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- La camperola
- Localizaciones del rodaje
- Chiesa San Francesco d'Assisi, Fondi, Lazio, Italia(interiors: rape scene in the church)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 14.062 US$
- Duración1 hora 41 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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