La fragata infernal

Billy Budd, a merchant sailor dragooned into service aboard a British warship, loves everyone around him and is loved by everyone around him. Everyone, that is, except the ship's master-at-arms, John Claggart, who sees human affection as a threat to him and his ability to do his duty as a maker of war. Billy seems to have only one flaw; he cannot speak coherently when in the grip of strong emotion, and Claggart mercilessly exploits this weakness with tragic results.

I've not read Melville's original story "Billy Budd, Foretopman" and cannot say how it compares with the great novelist's work. But this movie stands in its own right as one of the hardest-hitting dramas of its time. The conflict between law and justice, created and demanded by the circumstances of naval service in the age of sail, was never so well explored. Instead of taking the easy path of caricaturing all the ship's officers as brutal tyrants, director Peter Ustinov portrays them as men trapped into acting against their own desires. This helps lift BILLY BUDD head and shoulders above such solid but pedestrian shipboard historical dramas as DAMN THE DEFIANT! Lastly, BILLY BUDD shows that forgiveness can sometimes be harder to bear than scorn or hatred.

Outstanding performances are the order of the day. Terence Stamp's acting as Billy Budd seems natural, unforced, and human despite the nearly incredible innocence and naivete of his character. Robert Ryan is coldly malicious and calculating as the master-at-arms. Ustinov gives another great performance in a career of great performances as the conscience-tortured Captain Vere, sparking great chemistry with his fellow officers played by David McCallum and John Neville.

Many a movie since my childhood has brought a tear to my eye, but I have not *sobbed* at a movie in the past fifteen years, except once: at the end of BILLY BUDD. It is moving, passionate and poignant. Don't miss it.

Rating: **** out of ****.